Visiting Viking Attractions: An Idea Swap, ‘First Draft’.

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This image has an empty alt attribute; its file name is tdb-samples.jpgVisiting Viking Attractions: An Idea Swap, ‘First Draft’.

(Book mark it or save the URL now for you will want to come back and back.)

So, here I am back in Blighty. Bit of a rest-stop before it all starts again.

This isn’t a travelogue,

mountain by kris
The journey there by Christof

I have a feel for something a little more intellectual; an idea swap. There are ‘transferable models’ out there and we are the experiencees.

I have called this the ‘first draft’ because I just know you all have ideas to share.

When I say all, I mean Viking related peeps; if you are coming from other directions or none Viking ‘attractions’ OK well we would like to chat with you too you poor little things.

Think of this as a Birth-Product for we know there are ticket buyers out there and we want them in – and besides, gosh, we are engulphed by our own enthusiasm.

You hobbyists you.

Er, sorry, Vikings. x

Right.

tindefossen
Tindefossen by Christof

While I was at Njardarheimr my good friend Christof took me to the

Voss Folkemusuem

carved name

(link below).

It was a wonderful experience.

Gaius Cornelius Tacitus wrote of the concept of farms as a commune, Karl the guide in Njardarheimr says so, and so does my friend Susan who lives on er, well a farm.fm overhead

An expanded community almost in the same way as villages in Britain etc.

The farmhouse gets longer as we add people on. The square of the building becomes, er, squarer. The farm.fm 01

A Viking-age cultural development still relevant today.

Voss Folkemuseum came from such a community development.

We had a lovely time there. It wasn’t ‘populated’ like Gudvangen is, but on the other hand it felt good to be free to roam. We shared the experience and did so in our own time and in our own space.

Not all of the things we spotted and liked on the farm would have been used in the Viking age, yet share them I shall. You may know otherwise, or ideas may come from them.

from stalheim
The Journey back by Christof

One such thing which I loved was the work-stool; a stool yes, but with an extra bit to slot tools in, be it crafting or carving.stool

Another item of furniture I loved to see, but they were probably 18th or even 19th century, were the giant cradles or cribs which were for adults; sort of like box beds and wonderfully decorated.beds

They were free standing but reminded me of the fitted double-bed bunk (with the cute foot-hole ladders) you find in your typical ‘Viking Hus’.steps

Skipping over to the Njardarheimr town for a tick, I am reminded of the words of a visitor, (from Hungary). He was very moved by the sight of the bedroom in the chieftain’s hall as he recalled that he had slept in one just like it as a child. Except that he said it was higher because the potatoes were stored under it.no sword

Back to the farm:

Containers:- In Viking areas we tend to have buckets and bowls aplenty but I was struck by the widespread selections of larger containers. Huge amounts of water would be required on a daily basis. There’s a lot of sauerkraut. Liquids would need storage. Drinks would be fermented.bowls barrels and cauldrons

Ale or wine, mead, all would need barrels, big bowls, large kettles, massive buckets, (massive).

In medieval times they fermented lighter ales as a way of purifying water.

All that water would need transportation too.

farm view
Veiw from the farm by Christof

We enjoyed going upstairs, exploring different levels, down into the dark. Such activities may be less practical in Viking age constructions although, surely, they had barns and other farm buildings.path

I will talk further on this in the Viking section as this idea of exploration can be developed for children’s activities.

The big one for us was saddles, they had almost too many! I believe they were circa 1750 and onwards but they reminded us of Norwegian saddles of an older period. Viking-age saddles and tack would be a great addition for Njardarheimr.cradle

Another feature I noticed was the rounded edge planks which retain some of the shape of the tree trunk; walls made of such were very atmospheric.

They had chickens.chickens We got chickens. Although I note ours are more free range. That I guess is to do with the fact our place is populated (and cockerels wake people up). More on the widespread songs of the cockerels when you get to the Njardarheimr section below.

We loved the photos; grainy old atmospheric images full of folks of such character. These often are sent in, copies offered, bequeathed. They are of the age of course, plus they didn’t have cameras in the Viking period that I know of. Vikingesque areas could have displays. All the attractions we are looking at have distinctive areas which are more modern; cafes, galleries, ‘meerkats’, lots of methods.screen

There could be scrolling big screens in cafes and dining areas.

People like to send in photos and footage.dried fish

They like to do art too. People, artists, kids. Send us that stuff.

Why not even an international arts display.

beth viking 07
Bethany aged 7

More scope on this below.

This is an area which not only would benefit from a touch of research to see what there is out there; it also could be a good cooperative venture with ‘sister’ places.

Talking of display areas; the farm had a separate children’s area, well, it was one of the actual buildings and it was set aside for activities (not actually moved aside of course).

beth viking boat 07
Bethany aged 7

One thing that struck me as being a great idea in there were the benches and tables. They were lower. How empowering. You go in, there are things on the tables, the kids sit down. No having to be lifted up or being supervised climbing on. They sit straight down. They weren’t so terribly low that it was too uncomfortable for the adults but were low enough for most children.

great feast
Sadly I only have an image of higher benches

On the tables were a couple of sets of cut outs. One set was historic figures to dress up. I was reminded of the dollies I used to cut out for my sister from her Bunty comic. And the others were buildings to cut out, colour and glue.bunty cut out

Great for those underused Vikingesque areas.

The Jorvik Centre in York has a great selection of activity sheets; colouring in, quizzes, games, which also might be useful as a transferable model.colour ship builder

Fight-of-Vikings-coloring-pageSome of the photos of the farm depict children in period costumes. So there must be dressing up opportunities and presumably re-enactment days too.

The management for the farm museum expressed interest in working more closely with Njardarheimr.

stone base
Note stone bases and grass rooves

This could only be a good thing. Co-promoting comes to mind, perhaps forming sister sites. Certainly visits and sharing ideas and issues would be useful and could also be used as reason for media coverage.

 

Norsk Høstfest,hostfest banner in North Dakota was an amazing experience. It is a gigantic festival with 1100-plus stalls / display areas and many stages. The whole thing has a Scandinavian theme, and I am going to concentrate on the one area – The Viking Encampment of course.

There are three areas within one; to the right as you enter from along the covered walkway there is the stage, café and activities, to the left of this is the village, (again all indoors), this area has around a hundred stalls and tents all providing activities, sales or displays, there is an outside area too.stage

(Tim has kindly corrected me here, as my perception doesn’t reflect the accuracy of the way it is all organised – “The building we use is two different areas, the Viking Village and the other is the Tromsø Cultural Village, where the stage is, but we share the performers and presenters on that stage,” thanks Tim.)

I understand there were fight re-enactments outside but I didn’t see any of that myself, I did see tug of war.

There were two forges demonstrating bead making which was captivating to watch,

host beads
Alyssa Harron and freind beadmaking at Hostfest Viking Village

and a food area. I was fascinated by the different foods being made although I didn’t get to try any. The blacksmith display area showing different stages of the process of working with metal was intriguing and the blacksmith kindly let me share images with you all.bs 03 him

bs 02 bladesbs 04bs 05bs 06bs 07bs 08bs 09bs 010bs 011bs 012flint(Tim has kindly reminded me that the blacksmith with the ore display is Daniel Kretchmar (Danr) and the other Minnesotan blacksmith is Doug Swenson.)

People visiting were certainly interested, the crafters indoors were all kept busy demonstrating and interacting.

christopher heth
Sorry not got Chris in his outfit

lathechest makerThe friendly Norwegian Forest Cat was very popular.nf cats

I had a small area in this section for storytelling to small groups when I was not on the big stage and True Thomas had an area in the children’s activity space, (“He paints images directly into the mind.”).true th

The stage itself had a big screen and had a constant flow of acts and films. I was delighted to see the film on the Stamford Bridge tapestry which I had recommended.stage There were moving presentations on the Sami culture and concerts by Sami singer Stina.

There were samples of foods to try, I would have liked to have seen a more café-bar style with a menu widely available so visitors could drink, dine and watch shows.

I loved the alternative pallet seating.more seats

Felt making was very popular, as were all the activities in the children’s space, (might it be better to say ‘family space’? I enjoyed being a kid again).felt lady

felt 01

Troll Island was a highlight for me,island one and a very transferable concept. I love models and this was a model of an island, intended as a display base, but I enjoyed it in its own right.island 02 Perhaps if Gudvangen were to take up such an idea we could have a model of a fjord settlement.harbour darkened

I found all the trolls delightful and so did everyone. If this was to be utilised in our settlement in Norway there would need to be some adaption. IE eyes made of natural materials or beads. Imagine what could be done with beads. Another way to adapt this would be to have kids create buildings, fences, structures; clay, sticks, natural materials. Possibly populate this village with little clay people and animals.box seat

Folklore and troll would be great to talk about at such an attraction and would influence the model making.

Imagine the films and photo shoots that could come of this.troll 01

left island 03troll 02troll 03troll 04That’s my kingpin idea that is.

It is worth noting that the Vikings got very well looked after, drinks constantly available and hot food turning up a couple of times a day; this was none Viking and in an area not open to the public. It was quite nice to sit and mix away from the hubbub; lots of networking going on.

I got biscuits and gravy with creamed potatoes and beans. There at times was such as pizzas, fried chicken, hotdogs, lots of salads.

They had set aside time to be available, to check on how we were all doing. Yes we were very well looked after, lifts to and from, including to go shopping.

The main reason they were free to support participants was because all the work was done. What I am saying here is that they were very well organised and had been working ahead for a long time. I got a distinct impression they were very good at learning from the past, “Ah yes that situation….”

This all gave time to laugh.tim

UW-Green Bay Viking House

I was excited to get to see the grindbyggning, (built and then later donated by Elspeth and Owen Christianson) and there it was in the grounds of a very large beautifully rambling university.skaldic poster

It is a phenomenon. It is a marvellous piece of work. It is more than this. It is a concept. It is a hope. It is a symbol. It is a way of being.

It is real atmospheric inside.langhus

I am quite staggered by it. Yes it is wonderful, but it means so, so, much more than itself to everyone involved.cloak

When I say involved, gosh, I don’t just mean the local Uni community, I don’t just mean the local community who want to make mead, I don’t just mean the myriad of groups and funders, I don’t just mean us crafters, I don’t mean historians, I don’t just mean the head of history, I don’t just mean the original gifters, nor the whole host of internet observers, I mean…lh dark me

Oh, I don’t know what I mean, because the future hasn’t happened yet. I do know you will all be in it, and I do know there is a future, I know in the depth of my heart that it will be even more wonderful than it is now, even more magical, even more participatory, even more… (OK you get the idea). I do know I want to be there.

Here.

Want me to tell you an individual story of involvement to get you all wound up? There’s loads of those.

Mariah the Jarldriss in Waiting. She does so much. She does so much with her car. She does so much with her cauldron.hus lantern

Do you know, I think I might want to suggest that everyone steps back at this point because she is bubbling.

Who knows what is coming next. I am not even sure that Mariah knows. It is all going to happen, and you are all going to be drawn in.

Historic joinery is not what it is about. Mariah is. No calm down Adrian, people are. All the people. The enthusiasm. The village in the mind.

It is happening.

Skaldic skills are growing fast too. As well as doing shows in the house, er, hus, we had a ‘Share’. A story circle. Adrian’s Alþingi.

We created our death poem for Bragi to recite when we head to Valhalla (or the Viking-age afterlife of your choice).

Then everyone told tales, all sorts of topics were covered and different periods in history. It was fascinating.

deer
Pig

One of our friends, who came to everything we did and is now a regular participant, made notes throughout each telling. She had gone away armed with ideas. I am sure what is coming out of her at ongoing gatherings is totally different from the source (me) as all our minds work in inimitable ways, and she is a wonderful, unique individual. I was thrilled to hear Professor Sherman describe her recently as Erica the Viking House Skald.

There are people who should be thanked for this amazing experience, (See I still can’t quite bring myself to say it is a building, because it has grown beyond). Elspeth and Owen Christianson, two people who have a farm and they had a building and it came here, simple yes – wonderful too. There was a lot more to it than that. Their marvellous creative genius and generosity propelled a sense of Vikingness into thousands to come.

There is a wonderful guy to thank, he generously funded the process, making the establishment here possible.

There is a university to consider.

There is Professor H Sherman. She is what did it, made it what it is; it happened.

These are no sticks in mud. There is Heidi.

This image has an empty alt attribute; its file name is heidi-and-me.jpg

If you happen to walk by Green Bay in your travels of the world make sure you go by Heidi. Go explore the very concept of Viking heritage. There is a concept of Vikingness and it is called Heidi Sherman. No sorry I got a bit carried away and ended up that I have got it a little muddled.

There is a historic building. There is a complex of structures (three to date), there is a community. There is an invitation. (It is Heidi who makes it all happen.)

Wander by and discover.

Go meet the Jarldriss (Apparently students named her – Jarldriss Flaxblood Soul-breaker, but at least we can be thankful we are not students)hobb class

When I talk later about the way ‘Chieftainness’ has developed in Gudvangen; the way respect has played such a great part. When I talk of such, I will be talking of here.

Georg once received a letter through the post addressed to The Viking, Norway, he got it.

When I talk of such I am also talking of here – UW Green Bay.

For there is the same concept of love, respect and power developing for a pure and good soul here as there was twenty three years ago when my chieftain stepped onto the ground which got to became the Viking Valley of Norway.

A community of love and giving developed around my Chieftain. He became such a chieftain because of them.

And so will Heidi.heidi solo

There is a Viking community growing, building by building, concept by concept, artefact by artefact, in the grasp of her delicate fingers.house through fire

I can see it.

Go now while it grows.

Go again once it has grown.

Vikings.

When we shape from wood we become.

Go see the amazing building and area now for there is far more to come.

Join us.

For we are Vikings.

And that is not just wattle.wattle

There were amazing responses to my activities and I thoroughly enjoyed myself, plus the company was smashing, I think perhaps the most valuable aspect was utilisation. My skills were studied, my background researched, my energy levels considered and then I was utilised. Often places have an idea of what they want and they get you in to do it. They will probably have seen my work and think, ‘We want that’.

Here though more diverse aspects of my persona were delicately cherry-picked. I ended up doing all sorts of things.train cooker

It was a brilliant experience to do the National Railroad Museum;AdrianSpendlow_Ghosts-Trains and it was a sell-out – over capacity.full theatre I actually performed stories of my late father’s on what would have been his birthday. I was thrilled that my niece and her husband were able to come over from Rockford to be there as an enjoyable sort of remembrance.ron 2

Out there in the world of blogs and internetting Heidi saw that I was the son of a steam engine driver (who had written his memoires),dad uniform and that I was also the son of York’s first ghost walker (my mum). So she teamed these aspects up to have me create a show. It was so fulfilling.

I mention blogs; they can perform an extra service. I wrote a twelve-blog series on how to be a storyteller (link below).to guy This was there beforehand for anyone to see, it was there for preplanning and it is there as a development area for the future.

Footage of my performances is to be shared. The ones from the jobs for Heidi have had great responses and the films of my show on trains and ghosts is to become part of a web feature on the high-profile Railroad Museum site. There is also talk that this will lead to requests for shows at other railroad museums and attraction across America.

800px-LNER_Class_A4_4496_Dwight_D_Eisenhower_at_NRM
800px-LNER_Class_A4_4496_Dwight_D_Eisenhower_at_NRM

Think of the publicity such coverage brings in for the relevant attractions. Anything of this nature is worth considering for your attraction, word spreads and any diverse opportunities are, well, new opportunities which give the media the newness and fresh angles they thirst for.

We need to ask – What skills and experiences do our workforce or potential workforce have to offer?stage phone

I am reminded of the theatre group I work for – We Are Theatre, they too can see beyond what you are, bringing you opportunities to reach a greater potential. Something challenging and new to you that as you start doing it you realise it is a just right thing for you.carpe-jugulum-poster-wat-1_3_orig

This is one of those transferable models I keep banging on about.

There were of course the classes. There were classes mixed together.poem to class There were suggestions of themes. There were adaptions. There were interactive activities. Half a group listened to a story and then the other half came back in and listened to me; they then had to tell each other the tales they had heard.

While each group was out they had to jot down aspects of the Volsung Saga which went in a hat and then I improvised a story around a character.

We had discussions and skills and techniques which could be utilised after I had gone.

We will adapt further in the future.

I also did a show in the library theatre, thus bringing in different parties and individuals. This allowed me to cover different themes.dragon poster

Something we would like to expand for future visits is interaction with Native American parties. The comparative work between different cultures and different perceptions was enriching and enlightening. There is loads of space for a similar interaction between Vikings and Sami people.Indigenous Sami

Another thing which will come from this is a coach trip to Finlandia (I didn’t know that was a place, I thought it was a vodka you see in duty free.) The very first Finnish Viking festival in the US. I am thrilled to be joining a coach to go and perform there.

A lot of the people who visit Gudvangen are exploring roots, and connections, or links to past life experiences, and many other inspirations. Here so too. In Green Bay though there seems to be more of a feel of organised groups, societies. For example, the fascinating group the Sons of Norway, (more women than men I noticed).a960b1c536e2a1960b64c978eedf95a

Other attractions could foster this sort of visit. Events put on especially for certain societies. Research needed.

I am very grateful to good friend Rob Wildwood of jelldragon.com for introducing me to Tim of Norsk Høstfest in North Dakota and Heidi of UW-Green Bay Viking House it has all lead to so much, especially great relationships.

Njardarheimr Viking Town, Gudvangen, Norway

This is our Chieftain’s dream, alright so it has been massively supported from the outset years and years ago, and it is a marvellous cooperation of local businesses and investors. This place isn’t funded by Government, Unesco, the council, charities. This is the Chieftain’s dream made real by the spirit of those who bought into the idea with their hearts.

grethes house
Grethe-Iren’s house

What is it. There has been a market (or festival if you like) for at least fifteen years, there have been events, there have been visitors.krauka Now. It is a Viking town. In an amazingly short time a town has been built. A small few people have found the way to make this happen. It was a massive battle to get permission and atone opposition, but it has happened.pots and weave

If you go visit (and politely ignore the hidden half-built entrance way part) you will think you are seeing a full town. No there is as much again to come.

It will double.

Winter and summer our chieftain has watched every step,cheif (and the hotelier has watched every digger and crane – he won’t thank me for that).

Why is Georg Chieftain? Well, a long time ago he decided that if he was going to be making this thing happen then he had better declare himself Chieftain.georg

Why is he still Chieftain?

He is not Chieftain because he is strong.

He is not Chieftain because he is tough.

He is Chieftain because he is loved.

That love is strong.

He will tell you himself that it is all about love. He feels it strong yes.

There is another factor. Thousands of people love him.light on stage

So it works.

It is wholeheartedly, overwhelmingly, undeniable.

The aspects of Chieftainness which I have alluded to in earlier sections. Those of you who do so very marvellous at running festivals and attractions do not always realise, or admit to your selves, that it is love which is the lynch pin.monika marcin einar

You care and people care about you.

This is lesson to be learned Numero Uno.

This brings us to; please have this sword syndrome. “I have made this sword, please will you have it” Georg’s home is filled with gifts and collections. An accumulation of respect and service.skaldic corner

Carpets, ceremonial bowls, gods and horses.

I mainly mention this because I foresee how this can develop elsewhere.

Let us see some of the items to help us see how that other hall across the pond might become adorned.

One thing I have found to have far reaching effects is our incense burner. Coming from Poland for a pre-visit to bring Georg the gift of this beautiful piece of brass work, the lovely couple brought him the very first one from the mould. Modelled on one found in a boat burial in Norway it will have been used by Asatru (or Pagan) Vikings and then later in Christian ceremonies, it had originally come from a middle east area so will have then been Islamic. So this ceremonial device has been used by three main belief systems.left table

When it was the big market I went around to each tent or stall and explained that my Chieftain had instructed me to utilise the pine, charcoal and myrrh fumes to bless each area. As I swung the burner upon its chains everyone was visably moved and emotionally effected by the experience.

We parade. Each morning we parade with drums, chants and horns around the tents and buildings to the stage for the opening speeches. Incense wafted along as the burner was carried by Christian, Asatru and Islamic people in turns.

tdb emb gold dragon 02
Toni DB’s work

I have even told this story via video link to an Islamic leader upon the request of his cousin.

People are finding their roots here in all sorts of ways, here at the home provided for us by Njord; the fjord is dedicated to him and this is thought of as his land. He oversees us from the seashore and every year his statue is blessed with mead and recited to.njord gud

This is the longest, the deepest, and in one place, the narrowest fjord and a tall runic stone is planned to dedicate these facts. We plan to proclaim.

serpent stone
A smaller sone

Njardarheimr is populated. People actually live in the houses (and some other onsite accommodation btw). This is a living village.corner

I am telling you about all this to help each other get fresh ideas so all attractions can develop. I am not telling you all of this because I am any sort of expert, and certainly not as any type of official spokesperson. Indeed I ask now that you all react. Send me ideas, further info, news and developments. Let us all help each other.

When it is the market it fills up even more with several hundred Vikings in tents.einar

You can come.

There are those of us who are employed here. Working in reception or retail, delivering historic walks and in the case of Georg and myself, presenting the great hall and telling stories.

There are also people living here for periods of times for various reasons. These are the Freemen.tablet lady Robin for example comes over from Californian for a week or two at a time, lives as a Viking, crafts as a Viking and generally chats to people.

robin witch
Striking a dramatic pose at an event in California

Ravn runs Ravnstova (link below)ravnstove as a more of a professional service; outfit commissions, textile salesravntove – as well as demonstrating dying and candle making.dye spiral dyingConner and Audhild create jewellery and other metal-works on site and have a stall to enable them to ‘thrive, survive and live Viking life live’. Jenne weaves and supplies food.cockerel close cockerel loomKarin comes with her kids to live and share.dying pale

madderThere is also the Viking group with many members Njardarlag, they come and live and work and entertain – and all as volunteers.

Freemen.

Get that concept into your head.

(Well, in a gender-neutral way)

As well as many wonderful activities and offerings Karin and her two also bring the cats. A wonderful addition to our extended family. (More on animals later.)

Another category of visitors of course is the tourists – the mainstay, the raison d’être.

throne
The Chieftain’s hall all ready for stories

They are what brings in the money. When I say the place is all about the people, it also includes the tourists – you get some amazing people. Folks can be massively affected by visiting us.

When a Mexican teenager sits back down and says, “You are the best thing about my whole summer in Norway,” you know you are doing something right.

“We are going back to Minnesota and going to have a long hard think about how we can make our lives as fulfilling as yours.”

Another wing is what we call VIPs – this mainly just means that they have arranged for a private dining. There are other aspects to it, they might want to come after 6 when there is just them. They might even want Einar of Wardruna, or stories from me, or Krouka playing. They might want a big party. Torill is willing to be open minded, enthusiastic and adaptable.viking girl

There is another type of visitor lined up. Residential parties. Part of the new building program (it might be all done for all I know) is what is being referred to as Warrior Halls. Two great big halls where groups can come and stay. These could be organisations, reenactors or school parties – as long as they will live like Vikings, (during opening hours at least). There can be whole programs of activities for them.half temple

Oh I am so excited about them because there are whole groups out there which deserve our contact and there are whole groups out there who wish for us to go and reach out to them.

Community is a timeless prospect.

While I am on new structures, I hear there is also going to be a stone round-house with a central fire-pit, I think it is being referred to as ‘the men’s place’, referred to, in a historic way. Is it possible that only men will use it? – Oh yeah like totally.

There will be developments in the arena of ceremonies, in the field of drama and the terrain of performance. I’ve seen plans for a more permanent stage facing the open playing area (see pics of the amazing Einar and uplifting Krauka) and many concerts will happen there, as well as in the huge Heidrun hall. I plan to do interactive dramas from that stage, where the audience act out according to my story points.

(We also do stories in many languages and this is linked to below.)multi pre A

There is going to be a temple.

That was a statement which deserved its own line if ever there was one.

Now I know I have already stated that I am not in charge of anything. I have no power or valid opinion, beyond the fact that I signed myself up for a blog, but I will speak now: There is going to be a temple and everyone will be tolerant of each other.

There is going to be a temple and everyone will be tolerant of each other.temple

It will be a place of celebration, so I understand. We often have weddings, blessings, naming days, funerals; moments of life. Well bless Gudvangen, it is going to continue happening.

It is going from a holy hill with a couple or three statues, and me announcing spiritual Galda; i.e. from the runic inspiration of Lars Magnar, to having a temple for him to call you into.

galda 01
My attempt at a simple Galda

There will be drama, there will be inspiration, there will be re-enactment, there will be the deeply moved, the past life, the happy to act, the incense swinger, there will be wonders to behold.

The entrance way complex will be completed real soon; with a café/bar, shop, display area and reception.

There will be other new buildings.

One day, one day, we will have a harbour.

I did say this blog is all about opinion from a verbose storyteller who has no power but just you stop and listen to what I say now.

One day, one day, we will have a harbour.ships painting

The Skald he has spake.

Or was that spaken?

People travel from one market to one market to another; this itinerant lifestyle goes on in Scandinavia from spring to autumn (fall) with crafting-up going on in the winter, (I think it is addictive), I have a vision about this, (in my optimistic way); this will happen in America.

aldas bonfire cropped
Njardarheimr is open all year

Gosh for a powerless upstart I do keep wanting to proclaim about how I have spoken and therefore it will be. I guess that is the theme of this blog if you boil it down to ego. No, if you boil it down to Utopianism.

I have spoken.

Here I go again, carrying on…

Some of the stuff that works so so well at Gudvangen…

This is a blog about a writer / storyteller / personality (me) – who is funny: it is not a photo blog, there is text and it isn’t to supplement the art or photos, there are photos etc, they are not there to accompany the text, it is almost like they are separated ingredients ready to fry – but here for a first, and for a very, very, important reason, I am referring to a photo:- Write your name in runes.

A quiet stroke of genius. Write your own name in runes.

‘Now look I want to take credit for this because I bought the charcoal sticks.’ ‘No I brought the plank of wood – and the string.’ ‘I got the huge gift from the tannery we used some of for people to write on (with my charcoal sticks actually BTW).’

‘Now look will you two stop bickering in the Chieftain’s hut, it is like hearing some old couple.’

Oh alright – I admit – Georg was right.rune board

It was a stroke of genius quietly put together and agelessly displayed, subtly offered.

Not only can you take part on the spot.

Not only is it done in a none modern way.

You can take a photo and take it away with you.

Think of it as a travel activity.

People love it when I suggest that.

Yes, Georg, it is a really great idea.

You can play Hnefetaflr.

The Viking Game.

tafl and oil
Note the hanging oil lamps – glass and iron

You can listen to me or Georg telling you how it is played.

Many just love to hear about it.

“I am duty bound to inform you that there are sets for sale in the shop as you leave,“ usually makes them laugh.

Some want to play.

Georg is very good at being the opponent to singles.

Some will sit down opposite each other and play and play and play.

It is a very good job that we allow people to stay overnight!

Just discussing and looking at the runes is a great thing, people are fascinated.

There is so much to say.

I am so glad we just have the time to talk – and to listen.

We also offer a game, or just talk about it, that I only know from the medieval attraction in York; Barley Hall (You must go there – link below) so my name for it is of the wrong age, but, Nine Men’s Morris.to the kitchen

Folks like that.

There is a piece of leather on a table. ‘I got the leather and the charcoal to mark it up.’ ‘They are my precious playing pieces.’ – ‘Alright you two shush now.’

rune corner
See the iron candelabra

OK it draws attention – it is tic tac toe – it is noughts and crosses. It isn’t, it is earlier. You get three pieces each. The chances are you won’t get a line in three placements. Then you start moving the pieces one space at a time. It is really cookie.

We have the Lewis chess set (I am just randomly talking at this point so don’t think I am any sort of expert or even anything), I understand this is thought of as post Viking-age, but isn’t Lewis in Scotland, didn’t they have Viking kings till 1250ish. Way later.

to the kitchen
(Some interesting lantern set ups)

The Vikings knew chess OK.

And anyway, it is probably from India or China, or wherever it was Snorri says Odin and the rest of the Aesir arrived from (cough).

Anyhow – chess is very popular. You pop out, you come back, there are two people playing chess. You start stories. They never notice you.

They go on for absolute hours.

Tacitus the aforementioned diarist spoke of runes from when he visited Germanic tribes. The Father of the farm chopped a branch and marked it with his own signs for the gods, (so we are sounding kind of pre-rune here), then he divined. So I have a bag of my own signs for the gods and I draw you one out.mixed media impro

I also offer rune readings, (Elder Futhark), and where people are happy for me to, I add in the crystal ball – scrying was of the period. The Jorvik Viking Centre have employed me to do readings for children, that was very interesting.

The runes could be compared to Ancient Egyptian symbolism; each has a meaning as well as a sound; Water, Birch, Riding etc.

The Jorvik Centre I believe still use the Elder Futhark, as do I, whereas in Njardarheimr the smaller set, the Viking runes are favoured. So one needs to decide. Runes are planned to be used for signage, so I will discuss this in that section.

More of an ornament or artefact than an activity but I just love Georg’s scales; especially crafted for him, and people love to see the engraved weights, they are a real talking point.outdoor table

My chieftain has the aim, (and passion), that he will make some improvement every day, (perhaps that might be the main lesson of this blog?), and he had the blacksmiths create him an inverted L-shaped hook-stand to bang into his log-shaped table. On sunny days when we choose to bring all the activities outside this really allows the scales to look at their best.

Peter the highly-gifted bone-carver across the path has described us as a Viking-age theme park.

There are weavings hung down the walls, I would love to see them adorned with a couple of embroideries each. Such as the wonderful silks ones made by Nine Worlds Clothing, the best I have ever seen, (link below).

tdb emb better lady one
By Toni DB

No I cannot talk of how great our coin minting activity is without tipping a ginormous hat to the Jorvik Centre. You have paid to come in, so extra revenue is a bonus, and we want activities don’t we, so you don’t charge a fortune. Having a path to follow helps too as so often you see people roaming, no dashing, straight past things.coin

Georg’s coin-making equipment is very popular. He even offers silver ones.

I cannot refer to the Jorvik Centre without talking about the flood. So we shall take a brief interlude from discussing the activities at Njardarheimr and visit York. I must tell you of what I heard. Now I am no news hound or anything, but if what I was told is on the button there are staff at the centre who deserve a medal. The reason it took so long to rebuild and reopen is that it wasn’t just floodwater that came up into the place it was something far fouler. The lower section flooded and I was told that a group risked their lives by going back down the stairs into the slightly higher section where the genuine artefacts were. Engineers took off a fire door and actually gaffer-taped it across the open doorway to hold it all back! It could have burst at any moment! The atmosphere must have been quite toxic too. Staff then saved all of the precious items.

I think we should tell the queen.

(BTW If I haven’t got all the details here I would be glad to hear more.)

One or two ideas come to mind from my experiences there. One activity I’ve been employed for is queue busting; from me that is fun characterful chat, others demonstrate their kit, and archaeology students demonstrate finds.

I frequently enjoyed borrowing interesting jewellery from stalls and telling a story related to it. People would often go over and buy jewellery as a result.dragon_brooch_pin

All this ideas swap business suggests to me that there could be exhibitions of regional finds on loan from other establishments.

Representatives from Viking attractions I am sure would be welcome in Njardarheimr, not just as ‘Freemen’, also to demonstrate skills and share information.boast-218x198

Back to the chieftain’s Home in Njardarheimr, Gudvangen, Norway and how it came about. It is real with objects in a home not in cabinets, with people in the beds!

It has a kitchen. We are especially grateful to the volunteer joiners who created this area. When you train in your craft in Switzerland or Germany you pledge that once you are qualified you will travel away and work for food and lodging (I think for two years). These wonderful people created many great things including the kitchen and the Hnefetaflr table.kitchen

Oh and the skittle castle. That has gone down great. Georg carved wooden figures to stand on it and folks love it.

We plan a larger castle for next year, to go in, and I am hoping to be able to paint it.

Other games include Kubb, Knutlegg and tug of war. I am not going to mention the Loki run.

tactic-kubb-utomhusspel
Kubb

Oh yes and axe throwing, (not hatchet catching) and archery.

Then there is fighting. There is competitive fighting, (in twos), there are battle enactments and there are choreographed shows. There is also Glima the wrestling of course.

That leads to dressing up. There is an area with mail and helms and weapons where you can don them for a photo. There is also an area with play weapons; wooden swords, shields axes etc.

dolls
Or dolly dressing

Georg made me a three-metre spear and I started doing shield wall re-enactments with kids. They would line up against an imaginary enemy with me behind holding the spear between them. That was great fun and made for great photos of us stabbing warriors and horses.

Dressing up could be massively expanded. I would like to see more wooden weapons, a couple of saddles to sit on and lots of clothes for people to borrow. Fun for all ages and lots of memories to be made.

I also wondered about having a photographer. Perhaps a photo wall offering pics as you are leaving (like the ones when you come off a roller coaster).

Having a blacksmith’s shop on site is a marvellous thing. A great team of smiths too. We can all work and develop together.

All the kitchen fittings were created here. Hooks, nails, hanging oil lamps and bowl candle holders are all transferable ideas. Nails, it’s all about nails.

There is a great display of wares hung in the blacksmiths; fish hooks, knives, dozens of objects – nails! I love nails.

The annual market brings in hundreds of Vikings and of course many more visitors. Huge arrays of skills and crafts and goods come to us.

A whole series of events are programmed, worthy of far more attention and publicity. Entertainments, demonstrations, dramas. We also have always had a series of courses available. These can be a way to make it more financially viable for visiting experts and add massive value to the visit; needle-binding, storytelling, fight skills, many skills are on offer.

Story circles come fondly to mind, something we could bring back in the stone roundhouse perhaps. These tend to draw in teenagers and young adults too.

A new development for me at the 2018 festival was improvised storytelling, or perhaps more like poetry. Great musicians and percussionist joined me while I pulled one of my signs of the gods out of a bag and then we made up a piece with music and word and song. Wonderful experience.mixed media impro

This year I noticed that lectures were added to the repertoire. Women’s lives, Women at war, Viking-age music, and the Viking year were on offer.si

As promotion improves and these activities are planned well ahead the amount of people who come especially for a certain course, show or lecture will greatly increase.

The historic walks are a brilliant feature, they are actually referred to as guided walks but I appreciate the history side the most; you come away from these historic walks with a greater understanding of the concept of Vikings.

I do wonder if these will change in the future, as the place becomes busier, (it is going to get packed out), that there will be members of the village stationed here and there strategically around all the different features and sites with visitors going from one to another. That is just a thought I am throwing in the pot and would develop on from what is already offered.steamy cauldron

Visitors are international so guided walks aim to be so too; currently there are tours in Norwegian, English, Spanish, French, German, Latvian and Russian available most days throughout the busy season and I believe this will increase. I guess the majority of people who visit are able to speak and understand English so it tends to be more common.

Should there be Meercats? – Meercat is the nickname for freestanding information boards. I like the idea and think people will appreciate them and not think of them being out of place and out of time because they are expected and useful. I know Georg prefers the idea of only signs in runes to be more in keeping with the timelessness of living Viking style in the nowadays.

That thinking has led to the ideas of a treasure hunt, spotting runic inscriptions, plus a printed guide which tells you which runes to find for which feature.received_2080291925573466

The place has become more popular due to people developing an understanding of the place and getting the idea of how long they could visit for. As tour operators start to offer longer schedules and as publicity gets out to the people who may plan to come more and more effectively, people are able to stay for longer.

It is a genuine experience coming to Njardarheimr. It changes people. One thing you hear sometimes is, “Is that a real fire?” Many people have never seen one before and now suddenly they are being invited to sit by one. They can make bread to eat. They can mix with Vikings.real fire

People take photos. People can be encouraged to share their photos and footage with the online presence. This is an area which could be greatly increased.

More could be done with art work, exhibitions, there could be art competitions, poetry competitions. All with galleries displaying them, both on line and in the reception area. Folks could pop in and out of the café/bar and end up watching for hours.

Just some of the ideas which have been bandied about.

The walls of the Heidrun hall could be filled.

tdb emb blue creature
By Toni DB

This could even be tied in with the problem of guided tours in bad weather. Do you know when you go out for a meal, in a Greek restaurant, or a Thai place, right, and they have like 3D artwork on the walls – this makes me think that there could be relief images of the areas of the town along a wall so talks can be done inside. IE of the god statues., and the weapons

Highlights of activities must be the pottery and weaving via Marcin and Monika. People love their time there learning and they love the things they get to take away with them.basket half

I am just doing some math – hang on – I am, nearly there with a new idea – just before going to hit publish – hang on – I am thinking – 3D displays – experts on pottery and weaving – put them together – what have you got!

Moving along…marcins pots

I understand there is someone in the Green Bay area who does wattle and daub and I was thinking that might be something to be developed ‘ower ere’. Living sculptures, archways, and fences from something like willow are also exciting.

We’ve talked of large containers for storage, preserving and brewing etc, I also was wondering about the idea of buried food; fish and venison. (Get your muslin and your spade and then discuss.)

We have all already made a start on gardening. A great start. Collecting or buying plants of the period and of the area. So the outside areas are ‘growing’, becoming more real.ramslork

A thing that needs looking into is that it has been established that composting was done in the Viking-age and we might want to look into this. Of course this is a modern age and people living in the village will be concerned about the environment so will want to compost for the earth’s sake.

I love the peat walls which flourish with wild growth and greenery as do the rooves.

Ravn and others have demonstrated candle making and Holger has utilised old wax with moss to make candle bowls; wonderfully atmospheric.candle bowls

Talking of composting leads to the topic of poo. We got chickens we have. In the future there may be more poo available as the range of livestock grows.

It is lovely when chicks are hatched, but a shock when they turn out to be male. I understand that currently there are plans to set up a second hutch in a different area. Residents will definitely be woken early, wherever their hut.

As I’ve said these chickens are free to roam and can be seen all over the town. This I hear, there is also a possibility of a different animal, I heard talk of there being a small friendly breed of Norwegian pig and two or three could roam around.

Cows would always be a no no because basically there would be far too much poo.

Cats we also have and as I mentioned above there is a breed of Norwegian Forest cat which might settle to roaming the town.

I wonder if sheep or goats might be a possibility in the future, or even deer.

We almost got rabbits, but at the last minute someone said that the Vikings only had hares. Personally I think no one would mind if we had rabbits, but would also like to know if hares might be a possibility, IE would they settle to wandering here?

(NB rabbits dont ever dig upwards, they dig down and along, so would proberbly stay.)

mini butter
I am running out of suitable photos; aren’t American little butter packs really cute

We do have horses visiting at times and this is something that would be popular as a more frequent occurrence.

Someone suggested pet polecats or ferrets in a hutch with a run, but that would have to be quite secure.

These are all things that need to develop along with the gradual increase in visitors to be sure of adequate staffing levels.ships

Any other suggestions?

You may recall how I had enjoyed clambering up and about at the farm museum, it gave me the idea for a feature for kids. Children like up, under, in and over. A Viking style equivalent of a climbing frame or adventure park. A forest. Buildings. A fort.

mini outfit
Mini dressing up

Talking of dark places, I have always really liked the idea of a sweat lodge. The building of it and the idea. A hole with seated sides and a pit in the bottom. A bender cover of leather over saplings. A nearby fire pit where stones are heated which then can be rolled in using big sticks. Very exciting.

There is much scope for a program of online activities and all events would benefit by lots of advance planning; this would also help fill time on the rolling displays in the entrance or café/bar. Attractions could run features on each other. IE wouldn’t a film on Njardarheimr go down brilliantly at Norsk Høstfest (or film and talk).

An online feature on how to be a Viking would be brilliant.

Examples of stories also, so Vikings can learn, skills too. People pre-armed and able to contribute.

workshops
Workshops are always populat and could be prebooked

I am very pleased to say that the great tour guide Mal Dickson, (some will know him best as Malcolm McAlister), has arranged to create a follow up to this guide. He has gathered ideas from others to compile a list of suggestions.

Many thanks to all who have supplied photos, especially my chieftain Georg who very kindly took images of many of the items I wished to talk about.no sword

Gudvangen has a great set on how to fit in as a Viking. (“Everyone is welcome here except those who don’t make others welcome” Georg Hansen.) Policies have been developed on etiquette and authenticity of atmosphere so I am hoping to feature info on these in the future.

Thank you for reading all this way. I hope some of this is an inspiration for you and do enjoy the links below.

Adrian

All my own mistakes, I mean work.

 

Links

Adrian at UW Green Bay Viking House

https://www.uwgb.edu/viking-house/viking-storytelling/

University Wisconsin; Green Bay Viking House

https://www.uwgb.edu/viking-house/

And UWGB Viking House on Facebook

https://www.facebook.com/UWGBVikingHouse/

Adrian’s Guide to Re-enactment

National Railroad Museum – Green Bay, Wisconsin

https://nationalrrmuseum.org/

Norsk Høstfest Viking Village

http://hostfest.com/experience/viking-village/

Voss Folke Museum

https://www.visitnorway.com/listings/voss-folkemuseum/4832/

Aurland Photography (Mal Dickson)

Nine Worlds Clothing

tdb samples

Ravn Design

Back In The Day Reenactment Furniture

The Viking dream-life stories I

Sweat lodges in the Viking dream life blog string

The Viking dream-life stories latest edition

The Virtual Ghost Walk of York

We Are Theatre

Prose poems of the Gods and Goddesses

Adrian’s online tutorial – Storytelling is…

Multi-national Storytelling in a Nutshell

Barley Hall, York

Sons of Norway…

Jelling Dragon – Viking Crafts & Living History Supplies

Storyteller True Thomas

SigRun Viking Art & Design

Guntis Jakubovskis; Jeweller

Viking Comics Inc. featuring images from the Stamford Bridge tapestry.

Battle of Stamford Bridge Tapestry Project

Njardarheimr, Gudvangen Viking Valley, Norway

Adrian the Skald

Daniel Kretchmar – Blacksmith

Fjordtell, Gudvangen, Norway

Adrian’s Guide to Re-enactment

 

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Storytelling is… #9 In A Circle

Storytelling is… #9 In A Circle

 

Storytelling is… #12 The Skald

Storytelling is… #11 The Poem

Storytelling is… #10 The Links

Storytelling is… #9 In A Circle

Storytelling is… #8 The Techniques

Storytelling is… #7 The Spendlow Lectures Part 2 Being Skaldic

Storytelling is… #6 The Spendlow Lectures Part 2 Chanters Stool

Storytelling is… #5 The Spendlow Lectures Part 1 The Chosen

Storytelling is… #4 An introduction to Adrian Spendlow (me)

Storytelling is… #3 The Bio

Storytelling is… #2 The Show

Storytelling is… #1 Show intro

 

Storytelling is… #9 In A Circle

Gathering in a circle with the theme of stories is more ancient than we would generally imagine and yet is totally relevant.

Circles as part of a festival can be mainly a safe environment for people to listen and to input to a degree. A safe environment to share with the storyteller. So the element of being a show continues somewhat. This kind of environment tends to attract young adults and teens although does work for all ages.

Indeed single people who are not always confident at going out on a night or into bars will be attracted to such circles as something they feel happy within.

There is always the opportunity to share and sooner or later most people do. There is no better time for a circle than after a workshop or series of workshops. It is something to work towards. Somewhere to celebrate.

Circles empower and give confidence.

As well as working towards a solo performance at a circle there is the opportunity to share group work.

The Yggdrasil chorus with taking turns to epitomise elements of the worlds is a good example.

As is a multinational story where everyone translates into their own language a line at a time; always goes down great.

A story in the round from prompts can be great fun.

A trigger phrase also is good IE “I am that Viking who…” (fill in the gap) – “and I…” People can always pick up on it when they are ready.

I am often told I am a great teacher and when I question they say I teach by example. My storytelling is stimulating, my approach is encouraging.

Having an expectation of those around you can lead to miracles.

Here we have a safe environment not only for telling a tale but for discussion. A great place for feedback; both ways.

Suggestions can be made.

Ideas can be practiced.

Discussion prompted by a circle often leads to the group working together to help each other.

I usually start off with a batch of stories before developing the circle further.

 

As with shows, lectures, workshops the circle part of the package empowers the individual; to feel better about their skills, to better understand the process and to be more able to tell.

Storytelling is… #8 The Techniques

 

Storytelling is… #8 The Techniques

Welcome to the workshops.

We shall be chopping stories up. Following on from the ‘knowing’ comic strip, (displayed on the wall), we can look at the idea of gradually working away from scripts to a far more free-flow approach where important elements come to the fore.

There, that is all you need to know, goodbye – oh no I’ve already done that gag.

 

S.T.O.R.Y. shall be displayed for discussion, and possibly for a rewrite.

Story is to stare at

Traditional told anew

Oral always, abandon all scripts

Reinvent eventually through practicing live

You should be the centre of attention yet forgotten altogether

 

There that is all you need to know – Oh gosh this theme has become really repetitive.

Let us look at story breakdown.

 

Storytelling is… #8 The Techniques Subsection #8b The Breakdowns

(Scroll down to see full details of many.)

Here are some tales…

A Survival Tale – Bamboo Girl – Brynhildr Sleeps – Cinderella – Creation – Hansel and Gretel – Old Eater – Hare and the Tortoise – Loki’s Daughter – One Thousand and One Nights – Rocky and Bullwinkle Meet the Mermaid (based on the talking fish) – Sigurdr Falls in Love – Statue Boy – The Bones of the Mother – The Selfish Giant – The Sumerian Tale of a Giant – Viking Sea Travel Issues.

They are below you.

Go scroll down and be back, but rest assured you have just played the breakdown game.

You are back.

You may wish to work out the stories from the snippets as an interlude.

There comes a point where you don’t need this mini script but you may still have places where you falter so you need notes as reminders of these points you find tricky.

Then eventually you need no notes.

Then you don’t need to decide which story to tell until you stand up.

You may even start to weave between tales as you go.

A prompt is always good ie Rebecca’s Babe (it is a title really) – you are building a set list and you may add essentials as a footnote ie 1411 St Marys.

Rebecca’s Babe (1411 St Marys) – Go tell.

We are talking storytelling not Snorri repetition – thanks to all you folklore documenters in one big lump, (especially the female Irish slaves employed as scribes in Iceland), thank you all of you, (often vicars for some reason), fairies and trolls only exist because of you.

Creating the tale from its pieces is still traditional – no, it is even more traditional.

We are the tellers.

(BTW We say full stop in the UK where in the US you say period, period might fit better here.)

We need to get it into our heads that there are elements which have to be fitted in. That is all really.

And then practice.

Now juggle.

Let us take those vital elements of those particular stories and juggle.

Let us deal out a share and seek to create a story of them.

Let us add in our own stories as breakdown (scribbling during a coffee break).

These can be from a wild selection of areas and types.

Think of stories you are familiar with.

Consider the idea of key points and make a list.

Let us add them to the pile.

We are creating the now.

From the then.

So, once they are shuffled and dealt and we all have a few in our hands it is time to create story.

Move them about while you think, (ask to swap one if you are stuck), work out an idea for a tale. Then tell your tale to a colleague.

Once practiced it is time to share, if we feel really confident the listener tells the tale they have just heard on behalf of the creator.

 

Tell me about children. Anything which come sot mind; habits, quirks, feelings, characteristics, choices: anything.

Now pick a few of these and apply them to adult Vikings.

You have a story.

IE Jealousy is very different thing if it is regards a powerful woman with a spearhead hidden in her cloak

Holding hands can conjure up all sorts of possibilities.

Children what are they like!

Be long and slow in your considerations of what your topic needs and fluid and witty in your storytelling

I also shall create a set of prompt cards, similar to the Ales and Tales ones found through the links blog but specific to our topic.

I carry a treasure chest of tiny things to use as prompts always, these make a fun change.

We can also use the snippets to create a group story.

Pull one at random – start a story – then let someone else go along with it – this is for fun – but also releases the imagination.

Often when I do a storytelling show I have different groups attending. It is good to get them together afterwards and have one group tell the other one of my stories.

This works even if you have already heard it because it comes out quite different.

Scripting. OK you might have written a story, or written something down, or written a script I add. I admit I have. Take out the elements and use these to tell. Allow it to break away from its rigidity.

We all have faults and failings. I say play to your failings. I know it is more usual to say to play to your strengths and yes that works too. We have our failings with us and it is them which need playing to. To be aware of where we might go wrong and think of strategies to deflect or prevent. This is mainly to get rid of the anxiety which can come with concern about faults. My big failing is names, I struggle to remember names and or numbers; let’s be honest, I am rubbish at facts. I found I relaxed into telling a lot more once I had realised. Once I had given myself permission. If I could say ‘his son’ – ‘her lover’ and get around the forgetting of a name it helped me relax. It helped me relax to the degree that I probably remembered the name, because the pressure was off.

I allow myself not to be perfect every time.

It was the start of my realising each telling is unique.

Areas which were issues when I first started; all in one tone, not using voices for characters, digressing and losing track as a result.

Describing characters, places or situations without using their name is an interesting exercise. I shall supply a list of suggestions and ask participants to add to the list. Not as a trick or puzzle but with obvious ways of describing so we know who or what it is. This helps with descriptiveness.

Experiments with use of space and ways of moving follow on nicely here.

Dream you have done it – come back tomorrow.

I have always found that performance example inspires and encourages people so will refer people to my storytelling show and look for reaction and discussion. Help us find out why we are here and to self help us into improving.

“I am that Viking who…” (fill in the gap)– “and I…” – This is a good one to throw in to a story share. So people can pick up on it when they are ready.

What is a skald? – imagine you are a chieftain – what do you want from me? We piece together an image and then seek to fulfil it.

You are not a strong brave important warrior or leader, you are other than this, imagine yourself as a less dynamic character, perhaps limited in some way and then consider how you would fit in. Tell us of life on that farm.

We are Yggdrasil and all is gathered within our growth. Then each person personifies a place, character, situation, creature etc; I am wolf. Then repeat the chorus piece and so on. A good one to practice for a group performance.

Creating this blog allows the reader to consider which elements would be most helpful to them so we can shape the workshops between us to best suit our needs.

 

Storytelling is… #8 The Techniques Subsection #8b The Breakdowns

 

Warning these story breakdowns are spoilers!

A deity can tire of endless perfection – desire to be human – wear a swanskin and fly to Midgard – Strip and swim naked and mortal – A man recognised her, took her skin as blackmail – Make my side win, she did – As she set off to fly home Odin cursed her – ‘Sleep a loveless sleep for ever’.

A huge downpour – God asked Noah to build an Ark – Take two of everything – Noah called and they all came – the unicorn were all playing in the puddles – they missed the call.

Big storm – Fishing boats turns upside down – all drown – except the chef he is clinging to the upside down toilet – dark with a bit of air, fish start to bite – he swims down to the ceiling and pulls out some of its boards – he floats on the boards for five days in the dark upside down galley – there is a knock on the hull.

Eater down by Tongue River, of the Cheyenne – Caught one of his horses – as he rode away, one was missing, Grey Face! – He rode all day looking – Upon his return his wife hears his tale and says you are riding Grey Face.

Jack’s mother says nothing will grow, us and the cow will starve – Go to market and sell the cow – He comes back with five beans she throws them out in disgust – Jack climbs the beanstalk that grows – in the giant’s castle are a hen that lays gold eggs and a harp which plays – he steals them – then he chops down the beanstalk as the giant is coming.

Loki falls for Angraboda and sees her without his wife knowing – They have three monster children , one is Hel – The gods come to dispose of them – Hel is half beautiful and half rotten – they throw her down the long drop of the dead – She rules the underworld – Her dead servants are building a ship so she can bring an army to Ragnarok.

New step mother is cruel – They overhear plans to dump them in the forest – Sneaking out they collect stones to later mark their way back with – Upon return they again hear plans but the door is locked so they keep the bread from supper – Birds eat the bread crumb trail – They are lured into a gingerbread cottage – She must work to fatten up her brother – She pushes the witch into the oven – Step mother is also dead or gone when they return so all is happy.

Poor fisherman catches mermaid – agrees to release – wife cross makes him go back – grant me a wish of a palace – she keeps making him go back for more – ‘queen’ then, eventually, ‘Goddess?’ – Mermaid asks what he wants and he just wants to be happy like before – “Come in I am so proud of how neat I have got the hovel.”

Poor old bamboo cutter finds golden babe – They bring her up, finding gold to help – to city – many men propose – she falls for the young emperor – discs of warriors and a king appear in the sky – she has learnt her lesson and must return – her memory is wiped – as it fades she throws an eternal life potion so he can find her – he cannot bear forever without her – servant throws it for him – it hits Mount Fuji and burns

Shahryār is enraged when his wife goes with another – Every day he marries a new virgin and executes her the next morning – until there is only the vizier’s daughter left – Scheherazade tells a tale without and end (Tell half a tale) -The king postpones her execution – She finishes the tale and starts a new one each night (You do the same).

The Happy Prince was a gold-leaved statue with sapphires for eyes and a ruby as a sword hilt – A swallows love for a reed make shim miss migration time so he befriends the statue – The once happy prince can see the city now he is dead and feels sorrow – A poor woman cannot buy her poorly son oranges – Statue bids bird to take his ruby – More sad cases until all the gold leaf has gone – Then one of his eyes and then the other – Perhaps when the swallow dies they will be reunited in the meadows of heaven.

There was nothing – in the nothing was ice and fire – fire melts ice old muck comes out – Muck makes Imir – A giant cow floats by dripping milk – Imir drinks – the cow is hungry so licks salt from the ice – Buri forms from the ice – Imir’s angry sweat forms into more giants – the earth’s first beings were giants (and a cow).

We fear as we travel the seas – Ask Njord for help – Ran under the sea sends her nine daughter – They are the waves – Ran throws her net to catch drowning sailors – they will entertain her – Call to Njord, Call to Njord.

Young warrior has killed a dragon – he has gold and a ring (the ring is cursed) – ahead a mountain-top tower shrouded in flames – He rides fast and his horse leaps – A naked woman sleeps – He dismounts and kisses her – It is love – He puts the cursed ring upon her finger.

Zeus gets angry with humans, yet again – big flood – Deucalion builds a big floating box for him and his wife Pyrrha – they land on Parnassus – floods go – Oracle Themis says throw the bones of the mother behind you – so they throw stones over their heads – the stones turn to people.

 

Storytelling is… #12 The Skald

Storytelling is… #11 The Poem

Storytelling is… #10 The Links

Storytelling is… #9 In A Circle

Storytelling is… #8 The Techniques

Storytelling is… #7 The Spendlow Lectures Part 2 Being Skaldic

Storytelling is… #6 The Spendlow Lectures Part 2 Chanters Stool

Storytelling is… #5 The Spendlow Lectures Part 1 The Chosen

Storytelling is… #4 An introduction to Adrian Spendlow (me)

Storytelling is… #3 The Bio

Storytelling is… #2 The Show

Storytelling is… #1 Show intro

 

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Quote from John Thor Ewing

“It has been a while since I’ve done a “storytelling” show as such, although I still use stories in performances. My own style was always to cut through to “the story itself” as quickly as possible and, although of course I always adapted both wittingly and unwittingly, I always felt that I was telling it “straight”. So, I don’t think I could ever do what you do, which seems to deconstruct the idea of storytelling, as if Chaucer or Bocaccio had decided to concentrate on the storytellers rather than the stories – in my mind, it shouldn’t work and, although I know that you can make it persuasive, thought-provoking and entertaining, I have no idea how you do it. Which is a roundabout way of saying that I really don’t feel I have anything valid to say about this, but I have confidence in your abilities.”

 

 

 

 

 

 

 

 

 

 

 

 

 

Storytelling is… #10 The Links

Storytelling is… #10 The Links

 

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Storytelling is… #10 The Links

LH – Living History characterisation tips for re-enactors – My most viewed blog.

A modern continuation of the Viking mythos, I scribble, artists from all over the world replace my images – The Hammer FliesOski and the AmuletThe Horned God and the Wild Hunt

Facts and Fiction storytelling magazine – I am grateful for so much from this by post magazine – in particular the Storytelling is.. poem is published there – The comic strip too.

I cannot wait to get to this amazing festival to perform…NHhorizontalheadline

http://hostfest.com/ – https://www.hostfest.com/experience/viking-village/

I am also looking forward to going on from there to University of Wisconsin Green Bay where I will be lecturing, running workshops and storytelling in their Viking longhouse. https://www.uwgb.edu/viking-house/

I have written prose poems and travelogue pieces as Skald to the Chieftain  click here for the beginning of the series and then click ‘Next in the current series’ on each of the 26 blogs on the topic!  The start of the skaldic writing links

I was commissioned to create an ‘It happened to me’ performance for school children attending Cliffords Tower on the effects of the Normans. Click here to enjoy the blog which is written in the style it was performed.

Under the wing of Viking Comics Inc. comes the quirky series OldMan Comics, here is a link to one of those where I actually change the course of the battle at Hastings, (oooops sorry OldMan does).

I actually am Hobb the Pig-man, originally created for a commission for Barley Hall in York ‘he’ tells tales from a medieval point of view. ‘He’ has also worked on many projects for Scarborough’s Create and here is a project created for the Fossil Festival. Fossils? Yes cos it is Hobb. Hobb the Pig-man, he has also been Hobb the Night-guard and here he is as Hobb the plough boy.

A big thank you to actor Graham Scarisbrick for voicing this piece from my, soon to be released, audio play – The Boat Rises – Click below to hear A Viking Trojan Horse…

 

 

 

Actor Donna Jones, (for those of you who know her, aka Donna Kitching), voices here, the possibly, first ever documentation of a UFO encounter, (of the third kind), in a six-thousand-year-old folk tale; The Bamboo Babe.

 

 

 

 

One of the most interesting jobs I’ve been given was to be paid to sit in pubs listening to people telling me stories. Hundreds of fascinating stories came from the experience, you can read them here.

The main tool I used to stimulate anecdotes was a set of prompt cards. You can see those prompts here.

I am always pleased to be able to work with Alda and to promote her music. Here is a link to her single A Real Good Time.

And of course her sister’s company SigRun Viking Art & Design.

The three of us together produced Alda’s Rock Opera Gods Bless Ya!

For my multinational stories I reduce a popular story to a few lines so those of many countries can help tell the sagas in a nutshell.

One of the roles of the Skald is to host Opening Ceremonies.

 

The Series…

Storytelling is… #12 The Skald

Storytelling is… #11 The Poem

Storytelling is… #10 The Links

Storytelling is… #9 In A Circle

Storytelling is… #8 The Techniques

Storytelling is… #7 The Spendlow Lectures Part 2 Being Skaldic

Storytelling is… #6 The Spendlow Lectures Part 2 Chanters Stool

Storytelling is… #5 The Spendlow Lectures Part 1 The Chosen

Storytelling is… #4 An introduction to Adrian Spendlow (me)

Storytelling is… #3 The Bio

Storytelling is… #2 The Show

Storytelling is… #1 Show intro

 

 

 

 

 

           

 

 

 

 

 

Storytelling is… #7 The Spendlow Lectures Part 3 Being Skaldic

 

Storytelling is… #7 The Spendlow Lectures Part 2 Being Skaldic

 

Storytelling is… #12 The Skald

Storytelling is… #11 The Poem

Storytelling is… #10 The Links

Storytelling is… #9 In A Circle

Storytelling is… #8 The Techniques

Storytelling is… #7 The Spendlow Lectures Part 2 Being Skaldic

Storytelling is… #6 The Spendlow Lectures Part 2 Chanters Stool

Storytelling is… #5 The Spendlow Lectures Part 1 The Chosen

Storytelling is… #4 An introduction to Adrian Spendlow (me)

Storytelling is… #3 The Bio

Storytelling is… #2 The Show

Storytelling is… #1 Show intro

red hat

 

Storytelling is… #7 The Spendlow Lectures Part 2 Being Skaldic

You are a storyteller of great renown – it has been posited and it will be so

(If anyone can think of a way of describing my pontifications I would love to hear.)

There are proud moments though.

(You should strive to posit so, it may even be an expected role of the storyteller.)

Think.

Embrace.

Story.

Proud moments yes.

Odin was a giant.

He sought power.

He was Borrsson.

The All-father thing. It is all timeless and mixed up. This is the gods, they can be from whenever they wish.

One of the Vanir wasn’t even born when he turned up at the God-swap with the Aesir.

These are the things which I think in the dark of the night and these are the things I fit into my stories. Think of things for yourself, these are your things.

Those proud moments.

There on the tee vee is a pal of mine. He is telling the world of how his team of archaeologists have definitely recovered the bodies of Roman-age York-based gladiators. Next thing I know he is calling ‘hi’ across the street and I am going to him to thank him for a great presentation. They are hoping to find the arena so I commented that many Roman features were still around when the Vikings arrived; they commented on the roads, they will have utilised bathhouses and a temple as a palace. If there had been an arena they would have used it as their all-ting (circular government). He looked really excited at this and said when they find it the first thing he is going to do is look for Viking-age items.

Another archaeologist friend was very interested in my thoughts on Lindisfarne. I had picked up a tourist guide and saw it mention the 1500 Scottish Border Report which stated there was a large hidden natural harbour which could house a whole fleet as it prepares to invade. I pointed out that if it could hold ships then it could hold long ships and perhaps the Vikings hadn’t just raided the monastery they had set up camp there to do raids of the mainland. The next thing I know my friend has promoted a talk on a whole new look at the Vikings on Lindisfarne.

Proud moments yes, new lines of thinking too.

Adaptability is important. Places and events want storytellers. They have a theme or a period of time. You get some strange requests. So one needs to put stories and elements of stories together. A fitting set list.

The composite – the gathering of the information and the melding into one tale.

This can be a string of known tales but once you have researched the topic (within your own know how as well as in your sources) you may well have a collection of snippets and so. Folklore, history, characters. The most common way I weave these together is in an ‘It happened to me’ style. This works well in performance and allows one to ‘hide’ behind a persona. It is easier to act things out if you are a character.

You will need a fitting costume however.

Or at least a hat. Perhaps a few.

The sagas are bitty, the myths especially so. Partly due to being patched together from many sources and partly due to being frozen in time. I love a good index. Kevin Crossley-Holland comes to mind. His work on myths is a good source.

By working through all the references to a particular character or topic within the index you can piece together a fuller picture. Then you can see ways to tell. Stories leap out of your research and juxtapositioning. All new and always.

Vikings: We only have so much material and it is laid out in a certain way and we need to explore what we can do with it.

We can try and reach back to the teller of the time and try to gain their skills by studying thoughts of their motivations.

Let us look at their whole empire, the stories from it all are often hidden within the myths.

Let’s see what can be dug up.

I don’t sing. I don’t play an instrument (except the cave harp). I love to work with music. It changes everything. And with singers too. Melding my stories and prose poems in with their ballads etc.

In the Gods Bless Ya! show my stories set the scene for the songs of Alda Raven and I seek to fill in any gaps in the flow of narrative. I also perform her words (yes, I admit to the use of a script!). SigRun Viking Art & Design create the costumes and supply the models to be the goddesses, part of my job is to create a narrative to accompany them; to get the timing right and to direct their actions subtly.

Thus are stories dramatized.

We can take part together and play roles and allocate parts.

Re-enactment groups post up a story and say who would play which part? IE The priest was very angry about this and stormed off to the sea captain. The sea captain agreed a fee to ferry him and waved him aboard his ship bound for Normandy. You volunteer and you go along. Except for the odd word or two shouted from the field it is crowd scene acting with a narrator over the tannoy.

The ways the storyteller can be utilised, the roles expected, bring me to the idea of the skald.

I haven’t so much looked at the history of the Skald, as at the necessity of the Skald, by being one.

I have looked at skaldic verse with its beats and echoes and, of course, the kennings. It is believed that they were written in such a way you would not fully understand on the first listening, but then the Skald would tell the stories which are referred to in their poetry and then read the piece again. That way on the second listening the audience would understand.

As modern-day Skald to the Chieftain I have many roles, as we are seeking to echo Viking-age life as clearly as possible. I write praise poems for my chieftain and to mark occasions.

Practicality leads one towards storytelling and uses those skills as part of the needs of an occasion.

Leading parades with my chieftain. Opening festivals, markets and events. Collating other performers and introducing them along with course leaders etc. Acting as presenter at events and as entertainer at feasts.

Providing performance opportunities for members of courses and circles. Creating group dramas.

I find that circles draw in teenagers and young adults more than any other age which is very refreshing, they have seen the shows and want to experience more.

Getting others involved can be great fun. The walk by at opening ceremonies has caused great fun. As I talk of leather working classes a glamourous presentation of their produce parades back and forth in front of me. When I announced the timber has arrived for the new constructions two men with a plank hanging down between their legs groan their way across the arena. People clamour to take part with ideas of how to promote their activity. As I say, “Visitors are invited to take part in the Glima at their own risk,“ a huge wrestler whistles as he carries a ‘dead’ body.

The multi-national stories go down far better than I ever expected they would. I strip a saga down to a few dramatic sentences and then invite people of different nationalities or dialects to stand alongside me and translate one after the other. Great fun seeing them all acting it all out.

It is always an honour to be asked to take part in a ceremony; be it a naming day, a wedding, or an event blessing. I may accompany my chieftain’s activities with a relevant poem or tale. I might utilise the mead horn, statues, a mirror bowl, the chanter’s chair or the threads of the Norns.

One ancient tradition which must be respected is to do what the participants wish.

I am reminded of the words of Jane Harrison in Ancient Art and Ritual where she talks of the 1 2 3 of existence. The one being you. The two is you and the world and the three is: you perceiving the world, the world effecting you and you reacting to that. We are destined to perform ritual.

So, what is a Skald – imagine you are a chieftain – what do you want from me?

And so to my greatest powers; example and expectation. As simple as that, my work is inspiring and I have an expectation that you will be involved and develop.

You will grow and be

I am not an academic, I am not a reenactor, I not even a Viking if I am truthful; I am a storyteller. I seek to be true to the past I am part of and I seek to be very very good. I give you part of what I am and I ask you to be ready.

As we are drawing to the close of this section of the series I would remind of story points; you can’t do a story unless you have them. Slot them in a row in your mind and you are ready.

The next section of this series will be the feature on techniques. For groups and those intending to join one of my groups I would suggest the techniques section is looked upon as a hand out, a guide, to help empower you so you can help shape the sessions.

As for endings, look at some of ‘my’ endings. I lean towards throw away, I am not very strong on morals if you see what I mean and I find punch-line type endings take away from the believability.

As we draw to a close on the lecture and move on to the techniques section it is best to reiterate; I have always found that performance example inspires and encourages people.

To summarise my personal feelings, ‘Oh no I am going to have to learn all of this.’

 

Storytelling is… #6 The Spendlow Lectures Part 2 Chanters Stool

 

Storytelling is… #6 The Spendlow Lectures Part 2 Chanters Stool

 

Storytelling is… #12 The Skald

Storytelling is… #11 The Poem

Storytelling is… #10 The Links

Storytelling is… #9 In A Circle

Storytelling is… #8 The Techniques

Storytelling is… #7 The Spendlow Lectures Part 2 Being Skaldic

Storytelling is… #6 The Spendlow Lectures Part 2 Chanters Stool

Storytelling is… #5 The Spendlow Lectures Part 1 The Chosen

Storytelling is… #4 An introduction to Adrian Spendlow (me)

Storytelling is… #3 The Bio

Storytelling is… #2 The Show

Storytelling is… #1 Show intro

 

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Storytelling is… #6 The Spendlow Lectures Part 2 Chanters Stool

Right, I am going to get strict now.

Storytellers must always tell traditional stories which they have learnt by listening to another storyteller. They must sit and not move and they must never ever utilise items – the sinful prop! Sit still and tell old things rigidly.

Well there we have a whole set of rules to be broken. I certainly break them all. It is a school of thought though, an old school of thought.

There is a vision of the teller in a big chair and everyone hushed and still looking up in awe. It does happen. These are moments to cherish.

My first thought would be, where to put that chair.

Space.

Put yourself in your space. Find the place where you feel right.

I like to get there early. I step into that school hall and I guess I am getting the vibe, I most usually walk straight to a spot, “I would like to stand here”. It isn’t always where they expect you to go.

It is the same on a ship, in cave or on a stage. Put yourself where you need to be.

“Can you put my chair here please?”

“And my table here if you are using ‘the dreaded prop’.

The inner translucent layer of a mammoth skin has been draped across near the rear of this cave, with a small fire behind, you step out of a hidden side alcove when they are distracted and you beat a hollow log with your talking staff; you are suddenly there, a misty figure in front of them.

And you have your place.

Your place in history.

Step around into the open and stamp your white staff to the ground. Stay silent for a moment while they take in the carvings and the natural twist leading to the gleaming crystal.

Play a little on your cave harp.

Or say but three words then lift up your bone flute.

If you are more modern than this you may be wishing to commune with Odin. Your fur-covered Chanter’s Stool is brought out for you and you flick your cloak as you sit.

The large seat.

The shamanic drum.

The soft toy – well, that is me.

Rocky the Dragon gets very sad because he never gets any kisses.

I might be better getting a white wood staff.

And so to sit.

Or stand.

Or both. I tend to be out of my chair most of the time but starting things off sitting seems to work for me. I am a bit all action and cannot keep still.

Silliness seems to happen. In among the gripping and the scary a bit of silliness too.

‘I have lived in the land of fairy – and I have never been the same since.’

Being trapped in a fairy ring causes one to have to dance and for all people laugh they are intrigued. For all the silliness of stories of meeting and even marrying beings from the realm of the Fey I tend to attract people who hang around to tell me of their real-life experiences of meeting or seeing creatures from the mystical lands.

You have to remember who is out there. I will look at the idea of being a ‘Skald’ in a little while, let it be said there is always a sense of ceremony. The way we conduct ourselves, be it at a ritual or on the content of our set lists should always seek to be inclusive. In your audience is someone who happens to have come along, a tourist who wants to see how we do things, a historian, an Odinist or Asatru who follows the ways of the old gods, a person of another religion.

Respect. Respect mixed with entertainment.

Art is always a compromise. There is the viewer the one experiencing the art. They are to be considered. And yet one must maintain their own integrity.

Yet you must always do what it says on the tin. If it says chocolate milk we don’t want root beer coming out into the glass.

Many circles are spontaneous of course. Chiefly though, you have been invited. The audience have come along because of what the publicity said.

The publicity has been written by the inviter, they wrote it after talking to you, but they also put their own needs into it.

You must try and fit with this description.

You might always try and describe yourself slightly differently from the last time.

What does it say on your tin?

We have talked a little of the oral tradition; that the content and possibly style of our ‘show’ come from the past.

If we talk to a ballad singer, someone from the folk world or perhaps a shanty singer, we will come across the school of thought; traditional means that nobody wrote it. An old song has gone through so many singings, been passed from one singer to another, that the version we hear now is no longer anything like the first song which somebody actually wrote.

The shanties or other work songs have been created by the group to fit a rhythm or a need so have really evolved and developed.

We do live in a modern world where information is available to all. So it is possible to go back to the root or at least dig deep.

We are also freed up a little by this information availability. We can ‘tell’ in our own way. As long as we are respectful to the story.

Some of the records of folklore etc are a little clumsy, they are a record for posterity, not a classic novel.

This is where that second storyteller by the universal fire comes into things. Making the story better, more fun, gripping, relevant to the original concept, getting it all across is a skill. A developed skill. This is just as much a tradition as passing along the accuracy of the tale. We are all somewhere in the middle of this quandary, this long drawn out ‘story’. That innovative storyteller is a tradition.

Take the responsibilities with you but bring that tale alive. It deserves you. It deserves you to be your very best.

Embrace the past in your own way.

Where are we in the timelessness of storytelling and can we become our self back then as if we are there.

There are old stories. They were not always written down, as they are now, yet they survived. The enjoyment of them survived. So, although we can be glad of those who recorded them and of those who share them today, it was never meant for such a rigid thing as text. Never let it be so.

Tens of thousands of people may have told of that dugout canoe the first people survived in before and spider taught written signs to any tribe.

(I am not too sure how the canoe got to every single nation in the world – but I have heard of it wherever I go!)

I cannot tell you what to do. I don’t know how your mind works. I do know one thing; every individual’s mind works in a different way.

Go with your failings.

Mine is names. So I allow myself to forget. I think of ways. His brother. The tall giantess. With a flick of her hair. You know; avoidance, distraction.

You might want to force yourself to digress. Or to get back onto topic quicker.

I’ve talked of being a collector. Here is an aspect which can make the whole audience die of groaning or can fill hearts with soaring fire, (not to be sexist, but I think I am talking blokes); details.

Factual information. I struggle here in the same way as I do with names to be honest. I did, however, experience a split of reactions recently.

My father drove steam engines. You can already see where this is going. I have told great stories from his experiences for many years. Before a recent performance I thought I should have a refreshing look through his book. There was all that information; fourteen-foot fireboxes, that sort of thing.

Then here among it all was, 40302.

Engines always had a number like this. To me it is just a number. Then I read in my own father’s book that there is a reason behind this number; a sense to it. It refers to the wheels; 40302. There are four axles, a space, three axles, a space, two axles.

I look quickly now at my (currently virtual) audience and half of them are raising their eyes at an obtuse angle and half are achingly keen to hear more of such things which will fill them with inner bliss.

Where do you sit in this factual quandary?

How are you going to challenge yourself!

(Or cope with yourself.)

To be fair to myself I managed to play on that division within my audience and they laughed as they re-enacted their reactions.

I actually challenged an audience member, (it was in a chatty circle event were sharing was encouraged – and there was beer.), “How can you be so sure?”

“Oh,” he replied, “I file all my memories in date order”.

We are all different.

Shout out a date, another friend of mine can tell you not only what day of the week it was but every little thing about what happened. I gave her a date from the seventies and she described the embroidered flowers on my yellow large-lapelled suit jacket.

Another friend cannot pick and choose she has to scroll. She can recall every single thing which happened to her from the age of three, every feeling, every sound, smells, the works.

Will your mind allow you to be spontaneous?

Find a way.

The Skalds did poetry. Bards too. Many say poetry is a means of remembering something. I say do not memorise poetry. It will rattle along like a maraca in a samba band.

Poetic works need the meaning emphasising not the rhythm, beats or rhymes.

For me, I have written thousands of poems, I have two I can do from memory.

Set me on with storytelling though.

I have worked a full week of six hour days and finished the story just in time to clock off.

(It was a queue constantly streaming into a museum so I had to be sure and make every element work alone.)

I am quirky.

Not being believed is another failing of mine. The whimsical way I portray tales makes people think I have made it all up, I think it is my cheekiness. The fact that I have spent hours on research and finding new ways to think are lost in the gag.

“You have made that up.”

We are quirky.

You are and you need to deal with it alright.

Reinterpret, research, reconsider, posit, discover.

Hours of research go into one snippet; a gag from hours.

This is a concept I have real difficulty explaining. There must be a word for it. There must.

Like there is for what Jung did. To posit. He explains how he was asked how the brain worked and he didn’t know. So he said there were two parts; the conscious and the unconscious. Now there is. There really is. He posited.

Say how something is and therefore it is forever so.

Edward De Bono reckoned that we posit all the time; especially politicians.

It is one aspect of what I mean.

I’ve described this idea in detail to someone whom was writing a thesis for academics to assess and she said what I meant was historical research.

That doesn’t seem quite right to someone plodding along in their own way hoping for the best.

If you talked to anyone going to a museum they would describe it as ‘the point’ because every single person who goes in an old place has a point to make. It is more important than looking to see what is in there. They have researched. They have thought. Here is the thought!

I am full of such thoughts.

(I try to address my stories with such things.)

I slip them in. I am the only person in history of Vikings to give the Gods surnames. Well, Patronyms. It took me ages to think about it and then I do a story and say Odin Borrsson and nobody notices. ‘Ah yes, that is his name.’

This is an inspirational talk so you can go away and not be motived either.

Yet…

 

Storytelling is… #4 An introduction to Adrian Spendlow (me)

Storytelling is… #4 An introduction to Adrian Spendlow (me)

 

Storytelling is… #12 The Skald

Storytelling is… #11 The Poem

Storytelling is… #10 The Links

Storytelling is… #9 In A Circle

Storytelling is… #8 The Techniques

Storytelling is… #7 The Spendlow Lectures Part 2 Being Skaldic

Storytelling is… #6 The Spendlow Lectures Part 2 Chanters Stool

Storytelling is… #5 The Spendlow Lectures Part 1 The Chosen

Storytelling is… #4 An introduction to Adrian Spendlow (me)

Storytelling is… #3 The Bio

Storytelling is… #2 The Show

Storytelling is… #1 Show intro

drum n me

Storytelling is… #4 An introduction to Adrian Spendlow (me)

I became Skald to the Chieftain of Njardarheimr Viking Village in Gudvangen, Norway through a respect for my work.

Lively, moving, often light-hearted there is a depth which brings enlightenment through new thought.

Coming from performance and poetry with an independent approach can bring a refreshing new outlook.

We can all give to each other.

My storytelling developed as an interest following working in the position of Poet in Residence for York Archaeological Trust. The resultant storytelling was observed and appreciated leading to travels in Scandinavia.

I tell in far more forms that Viking, am known for bringing story alive in a unique way, in an interwoven performance.

An ability to nurture and develop bring a popularity in many fields from reminiscence to theatre. Above all known to be remarkable; never forgotten, always sought after and perpetually stimulating.

I hold courses, workshops, lectures and storytelling circles for whoever you are at whichever stage in life.

This series Storytelling is… has been created to be applied to currently planned work at Norsk Høstfest, North Dakota State Fairground, Minnesota and for University of Wisconsin Green Bay in their longhouse so is aimed primarily at those who wish to develop storytelling skills to present to their fellow Vikings; I am, though, ever adaptable.

Facts and anecdotes, also ancient things – I am a collector. Not of stamps, or of spotted things but of these such bits; couple these to whole chunks of experience and I just have to go out there and tell.

Everyone is a storyteller, knowing your audience / getting used to them makes one a whole lot better. Gaining an increased understanding of the oral tradition develops one even further.

Given time, each storyteller is marvellous. – Given a good platform each story lasts forever.

People who are quiet will enthral audiences. Those who have repertoires will thirst for more. Those who are entertainers will rise above themselves.

People who spend time in my groups are more able to storytell.

It is about knowing so let us pledge…

We shall be guided along our path. We shall increase the wealth levels of skill. We shall share. We shall grow.

We shall attend Adrian’s workshops, his atmospheric performances, his empowering story circles.