Our Time at Balagard Viking-age Finland 2019
at Finlandia University, Hancock, Michegan, United States of America
Tell Me (Based on Finnish creation) – Listen now…
All stills by Heidi…
Our Time at Balagard Viking-age Finland 2019
at Finlandia University, Hancock, Michegan, United States of America
Tell Me (Based on Finnish creation) – Listen now…
All stills by Heidi…
I hate staying in…
The first story mum wrote after stating in writing class…
(Please note it is in two parts, so you will need to watch the short film straight after.)
Radio York paid her for this story…
A poem in darker tone…
Mum explains how amused she was by the poem ‘I Shall Wear Purple’, it inspired her to create her own version. she would always perform them both.
There will be more of her short stories and poems and she has recently been interviewed by The National Railroad Museum here in Green Bay Wisconsin. Once they have those up in the museum archive I will blog a link. For now here are links to other pieces…
Son of York’s First Ghost Walker Wanders the Winding Ways; a Recollection – #2 The Exhibiton and the Barguist Beast.
Come along with me on an atmospheric walk around the winding ways of this ancient city where I utilise forty years of experience of hosting ghost walks around York. I shall write as I recall and be as true to the recollections of witnesses and to my own innate abilities as for accurate representation of historic events you may feel the need to go check such details out for yourself.
Oh yes, As we wander I shall try to remain true to my major influence for I shall be explaining as we go along the details of my claim to fame; Son of York’s first ghost walker.
#2 The Exhibiton and the Barguist Beast
As we head towards our second collection of ghostly encounters we roll away from the Theatre Royal towards a small arch in this broken section of the City Walls (They are called the Bar Walls really but you are probably a tourist).
Pause here for a moment and look up at the guest rooms of the Exhibition pub (Actually tourists will later benefit from my simple guide to York further on in this feature). Do you see a face? No? A full figure of a man? A guest looking out in their underpants, or possibly sometimes without their underpants? Let us go in and find out a little more.
When I did go in there was a very enthusiastic welcome from (I think she was called Christine) Christine, who was thrilled to be able to share her experiences for you all; I have never seen someone so happy to tell of being scared half to death.
Not that the man in the window was totally scary, or at least not initially. She simply told her two workmates that one of them ought to get up there and tell the guest to put some clothes on when viewing Yee Olde Yorke. There was no need, it was explained to her, because there were no guests, they had all checked out that morning, there was nobody upstairs.
She found this cranky and interesting and not at all scary, well not until she checked the rotas and saw that she was on chambermaiding duties.
She saw no one upstairs and felt no presence so decided that the ‘guest’ was a different spirit to the one in the kitchens.
She did see him again but only from outside, and increasingly without any undergarments. It was the kitchen spirit who was unsettling however.
She remained pleased with herself. This seemed to be because she had a deeper experience than the other staff. Yet her experiences were always eventually verified.
Everyone picked up on the atmosphere in the kitchens especially after she had noticed it. Older staff acknowledged that there had always been something uncomfortable.
Like her those who had been there longer had problems with things going missing, crashing noises just as one was swinging in the door, or at other times things being found smashed.
It was Christine who saw things smashing first, well only by a split second. Her and one of the guys went in via the swing door together with arm-fulls of dishes.
“Look at that,” there was a butter dish hovering in the air. The instant her mate looked up to see it too it dropped out of the air. It smashed in the sink. She went on to see such things often.
It was her also who would notice when the spirit moved through into behind the bar. “Oh oh” was more or less all she would say, then things started to happen. Almost empty shelves would fill by the next time you bent down to add a pint glass. An upside down wine glass slowly sliding up its rack to crash to the floor. There would be a spate of such occurrences then things would calm and the kitchens would start having problems.
There was also a problem in the public area but Christine felt this was a different presence. When she was tidying up at ‘yucking out’ time she would find one of the wooden table tops to be swimming in beer. She would sort it, move on and look back to see it a-swim with ale again.
This went on over several weeks and then one evening she noticed a glisten and stood still to watch as the table top filled up with beer all on its own, as if the beer was welling up out of the wood itself.
As I watched this table anxiously and while we are ‘sat here’ in the warm let us cast an eye down the road to another haunted establishment.
Just along Bootham and down to the left on Marygate, there are two places to tell of actually, down near the bottom is the Jorvik Guest House where a figure is often seen in the building; in rooms and in the bar, perhaps all the more spooky for its hazy dark appearance.
Back up the way towards the main road I will tell of a ghost which is so clearly seen it is often not thought of as a ghost.
The Coach house hotel is the haunt of a soldier. In First World War trench gear he is most usually seen in the bar-room off to the right. At the far end of the serving area. How people generally react is to point out that the re-enactment guy was before them. Staff will say there is no one there and if customers get up from the left ha nd restaurant area sure enough there is only them waiting to be served.
As I am about to scare you about one of the letting rooms I am sorry to say I have forgotten which room this concerns, so when you stay there you will have to take pot luck.
Sit there at the mirror if you will, the chances are you will feel the presence of someone else sharing the long, cushioned, stool with you, look around and there is the indentation of them.
Slightly less common, although commented on by guests a few times a year, look up, in the reflection you will see the lady who shares your passion for long well-brushed hair.
Ask to change rooms if you will, but one of the other rooms has a spirit who sits on the bed in the middle of the night – at least the mirror lady doesn’t wake you up – sleep well.
Up behind the Exhibition and across the road is a building with a grizzly tale to tell, I am just waiting for the ghost stories to emerge.
The bakery shop there was the scene of something ghastly. A customer was selecting a pie when something dropped down on to it – it was blood.
The residents of the flat above resided no longer. They lay dead. The story is that they had been taking benefit cheques off other residents and one had had enough of going without.
The flat was re-floored and re-let; the bakers reopened – nobody went in.
Back to hauntings or at least monstrous beasts but first torture along the way.
The Board Inn – The Hole in the Wall – we are heading down the alley at the side of there but let us mention the ancient torture chamber reported in the cellar and the steps upon the stairs; the loo stairs. I am among many who hear footsteps behind them on the way to the loo. The many who see a door open ahead of them and feel there is someone else in the loos with them. Listen, someone left.
All these ghosts. This is York. An ancient place. Battles and sieges. Famines and wars. Jealousy and rages. Poverty and power.
There are more dead under the earth than there are people walking above on the surface. Small wonder that their essence comes seeping out from between the flag stones.
It is not the dead we are concerned about just now it is becoming dead. Being scared to death. Jinxed. Hexed. Summoned. Cursed.
We are stepping down into the realms of the Black Dog of Death.
It is an ancient beast and it is down this alleyway, or the next, or the next. It is a sign you are about to become dead. Whenever it is reported seen there are simultaneous reports of death, or near death, or injurious states – down alleyways – read the reports.
People have seen the hound of our alleys since the long-ships. Word of the dark creature slinking ashore litter the tales of remembrance of the Norse.
This dog is far older of course even than that and it is among the dead. Burial mounds, deathly places, battle scenes, aftermath, anywhere there is death.
York city sits upon death, it venerates it – thus we have the barguist beast.
Nip not down a ginnel, turn not from the main-way, stay in the light. The barguest beast gleams its red eye tonight.
Oh yes, listen here for those rules of York…
And here for the poem on the dog of death…
Click links below to see previous editions
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I highly recommend: http://www.ghostwalkyork.co.uk/
The Day it Rained Inside the Bus, by Adra
We went to my favourite place; Peaseholme Glen with its little path down the hill. The squirrels follow you as you walk alongside the narrow rushing stream. The statues along the way make you stop and look, but you soon want to move on again because of the sound of the next of the mini-waterfalls. There are a couple of dozen of them. You want to rush from one to the other.
Now, I had heard from many people that there were fairy’s living among the trees. They come here to watch the water sparkle and to hear the children giggle. I had heard this, but I wasn’t sure I believed it. Until the day I saw one. My little visitor heard my talk of them and she ran ahead. Now this is the little girl who when she hears that I am a storyteller she wants to tell me all her stories, but I am not sure she believed me.
Whenever we saw a fairy she was nowhere in sight. Yes, we saw a fairy. Off my little friend would run, and as we tried to catch up there would suddenly be a tiny voice from within the woodland. It was a fairy. Then a few trees ahead along the way my little friend would pop out from the trees and we would tell her about the fairy voice. Off she would run calling out she thought she had heard another one. We chased after her. We didn’t see her, we saw a fairy. Skipping about among the twiglets to the side, dancing and fluttering. Then, sure enough a few saplings ahead out popped little E, “Did you see the fairy?”
This happened all the magical way down the twisting, winding, enchanting pathway.
We came out of the glen, into the park. Normally it is a really really good park, with lots to see. Everyone wants to sit and see. We couldn’t see. It rained so hard that our eyes were inside waterfalls. Our shoes filled. We felt our way up the wide steps to the café, all we could do was have a hot chocolate. If we sat in the warm with a hot chocolate covered in whipped cream, marshmallows and sprinkles we could look out of the window and wait till we saw it stop. It didn’t stop. It rained all day. We couldn’t see out of the window and they announced that they were due to close. We had to go.
We managed to find our way out of the park to the far end of town. We were a long way from anything. Then a bus came. We got on. Now this is a special bus, it is open-topped. People climb up the stairs all excited and sit on the very top to look out and get excited. We didn’t. We were the only people on the bus and we went into the lower deck and were glad to get out of the rain. It rained inside the bus.
The rain was so heavy it was coming on through the seam. In through the ceiling. In through the windows. It concentrated itself into fine thin heavy lines of twisted waterfalls and pointed itself right at you. One stream down a leg, one stream down you neck and one in your eye. The little girl looked up (a bad mistake) and she said, “When we get there can we go on the beach?”
We could not go on the beach. We could not see the beach. So we promised that we could go in the amusements. There are amusement arcades all along the front in ‘sunny’ Scarborough.
We got off the bus. We went to my mum’s. We got dry as best we could. E had more hot chocolate and then it was suggested that it was time to go to the beach. No, we had to explain it wasn’t going to be a beach day.
We went out anyway. I hung back. I let them get ahead and I went in a gift shop.
Then I rushed along and caught them up, just as they went in a big door. It was a large way into a noisy room full of flashing lights. We went to a machine which gives change.
We got two Ps. There were the push a penny games. Big games. You climb up on to a standing step and you pick which slot to put your penny on. You think about when and then, you let it go.
Now some of these have plastic toys in them. Key rings and little creatures from the films. They are supposed to come out with your winnings, they never do. You might see them getting a little nearer the winner’s slot though. That is enough to get you all excited and you put more money in. You get a whole bowl of money from the ‘free two P’ machine and pretty soon you are asking for more.
It does pay out though, clunk clunk clunk, and if you are very very lucky, clunk.
This little girl got lots more winnings than that. Every time there was a clunk the pay out slot was filled with a handful of seashells. They were not on display anywhere and grandma seemed to point the other way for a second as the winning come in. The little girl looked where she pointed and there was nothing, but she had heard the clunk, she looked down. In the winning slot, along with a few pennies, was a handful of beautiful shells. They were all different colours.
We went from arcade to arcade. In everyone, as well as the penny winnings, there they were again, they were all paying out the same. By the time we left the sea front she had a whole bag of beautiful shells. They were just like the ones you see in the gift shops.
We timed it right and got the bus to town. There was plenty of time before the train. So we took the little girl who’s shoes were full of rain into a local café. We had as many burgers and hot dogs as you would like to imagine. We had more hot chocolate of course then fruit pie and ice cream; lashings of ice cream.
Then the little girl said, “Sometimes,” she stared out the window when she spoke, “Sometimes, when I am disappointed, I get a bit naughty. This was a very wet day and I didn’t get to go onto the beach. There will be other days though and we will be in the sun”
We went to the station. I stood on the platform and waved. I will never ever forget the day it rained inside the bus.
Way of Living – (Dedicated to Njardarheimr, Norway)
We have our land. We go raid no more. We here have plenty. Do not take like before.
In our hearts we are Viking. People of Iron. In our town we are Viking. Viking Town.
Shipbuilders come here. In iron nailed hulls. Bringing sightseers to us. They help at the sculls.
Season by season. The world comes stay here. The reason is Vikings. They hold us dear.
Our chieftain welcomes. His word is enough. We stay just as strong. Strong of love.
Chieftain he speaks. “Piracy is gone.” “No need to go plunder” Being here is strong.
Warriors a plenty. No need of an army. You come to us. We have no enemy.
All here are welcome. Whoever the world will bring. All here are welcome. Except the unwelcoming.
Come join in the building. The building of kinships. The skill and the interest. This town equips.
Ancient crafts abide. Use needle and hammer. Clothe us, shod us. Be potter, be carver.
As you sit you are of us. Viking by fire. Cook, drink discover. Be thirsty, aspire.
Remember to believe. Believe in your heart. We have games to share. Here we shall start.
Be in his team. Tell stories that last. Live here in the now. We bring you the past.
Adrian Spendlow – from the words of my chieftain
(NB the R in iron is silent)
We are safe here at Barley Hall, my nosegays will stop you turning purple, and my visitors will keep me informed. Fore-armed is fore-warned and I sought to defend my position with knowledge. There was little need, for every visitor had something to impart. Yes I did have plenty to say at the start of my summer holiday stint but this was nothing to the array of facts and anecdotes. Soon I was passing along the wisdom of one to another and I will gather here some of the best of this.
Some of my newly gained knowledge is debatable; this does not mean it is necessarily untrue, just that there will be debate. The very room I am in has become a convoluted topic. Refer to the notice boards for what is perhaps the definitive answer even though many in the discussion would disagree. Even the name, “No, it is not a parlour” – A solar; sit in there in the sunlight and treat this place as a retreat. A place to craft for joy, a place to make all which is beautiful: here you can write and some say learn.
A few have disagreed that the parlour was a place to receive visitors. Although another interjected that one visitor would be invited in here among the family; the tutor – here we would learn our letters and our lessons. Rhetoric, logic and astronomy are among the topics which would be enabled by this. But nay, this was not the reception say many who contributed to this on-going discussion. The way in was the proving point of this camp of thought. You entered via the stairs; from there you would be in Lord Snawsell’s bed chamber. Here in, it has been read, was his office and softer furnishings.
So therefore this is where he would meet with you. The logic of this is in the access and the fact you would feel you had been welcomed whilst at the same time you would be aware that by being in his realm he retained power. There is logic in the aspect of access too it is argued; from there to get to the parlour one would have to go through Lady Joan’s personal chambers and then get in the way of the busy journeyman all down the long hall.
Not everything I hear, as I say, is definitely right and some things I hear are definitely wrong.
Barley Hall is loved, many revisit, many discuss, many compliment and recommend, but not all feel this way it seems. A passing hen party definitely didn’t like the look. As I was returning from a visit to DIG my way into the alley was blocked. I stood back to allow the party-wear ladies to leave the alley and they stopped suddenly. Looking up the street, “Oh we’ve been this way” – “We’ve been here before” – “We’ve been up there” – “We’ve been up there” – “We don’t want to go that way again” – “We’ve been this way”. Eventually they turned back and I had a path ahead of me, a slow path.
As they noticed the large window into the hall for the first time there were sounds of disapproval from one of these revellers. “Oh dear, I wouldn’t want to go in there” – “And I wouldn’t want to eat that” – “No, it looks awful in there” – “Ancient!” – “It’s like a museum”
Although most people are entranced by the peacock upon the table, the hen party in search of a meal and another drink were not the only ones to not fancy eating a bird which had been cooked and then repacked in its raw skin. “Never do that” visitors inform me, “Never mix cooked and raw”. “They certainly hadn’t heard of health and safety!”
Nosegays keep us safe, or at least perfumed. Gay meaning ornament back in the day; they were about the smell. Many report on the vast amounts of information on the medicinal, spiritual and nutritional uses of herbs; that is not a major concern when it comes to nasal orientated ornaments. It is all about the smell, the logic I am instructed, is that if the smell carried the disease you didn’t want it up your nose. The miasma must be refused access and to follow logic, if your nose was full of sweet smells then how could the horrid miasma get in! So visitors tell me it was not just about masking the smell, it was about keeping you safe.
If you wanted to be really safe, what better than a plague doctor mask. Fill that with herbs and strap it on. While you were feeling ultra-safe as a result of this constant experience of the sweet and beautiful you might want to go all out and get yourself a job.
Plague doctors are in demand it seems. An explanation of this which was given to me was that all the doctors were gone – in one way or another. It was a well-paid job I am told – while it lasted.
Not much in the way of skills was needed, according to some, all you needed was a stick, a big stick. With your mask on off you go, and prod people. Then all you had to do was tell them whether they are going to live or die (if in doubt go for the die option). The strange thing is, whatever the answer, they would thank you. I considered these offerings and discussed with other visitors. It is not so strange when you think, as I was asked to do, on the history of medicine. Throughout Europe ‘knowing’ was often more important than helping. ‘How long will they be?’ – ‘Will it be quick?’ – ‘Have you anything to make it easier?’ Another suggested this was still the main focus in many tribal cultures around the world.
I decided there and then, that once all my visitors had made a nosegay I was off to get a stick; the income would be most welcome – while it lasted.As not everyone wants a nosegay I will be here a while yet. Not that they are to be sniffed at, if you see what I mean. Much a sniffing and a pondering has there been.
Deciding of what aroma, of what herb one is holding a bowl of. Lavender is spotted by most, thyme only by a few and lemon balm by only one chap. Rosemary is spotted on sight by most, although one or two, including a rosemary grower, thought it was pine. The one which is most evocative is actually a flower rather than a herb as such. Some love it, most are reminded, reminded of something. A Greek flower which is gathered as a healing tea, camomile, just flowers, childhood memories, the bottom cupboard next to the pans; we were taken places. I was put off this bowl for quite a while when a girl said it smelt of hamster bedding. This smell was removed for me a little later by the power of suggestion; a lady said it made her think of her grandfather’s pipe tobacco. Now, whenever I hold the marigold bowl in front of me I am transported back to my childhood and the hint of sweetness within a heady aroma which would erupt into the room when granddad opened his pouch to stock up his pipe with baccie.
So far there are no reports of the plague coming to me from my visitors. No one has been spotted to be turning purple, well except for Mr Purple himself, but he is upon his bicycle platform out of the way anyway. The next edition will feature live frogs, alternative universes and elephants tusks among many other oddities of conversation. Remember when recalling this blog so far, it is all absolutely true – that people have told me these things.
Your tales and opinions can be added into the mix for discussion too. Be in touch.
Here is the link to the exciting second half…. Nosegay Blog Too
Gods and Goddesses of the Greek Mythos Continued – Hermes the Babe
Here is another of my characterisations of Gods and Goddesses, this one written while I was in hospital having the cancer taken away (nil by mouth for 19 days).
In this case though although it is an interesting storyline the God (if he is a God) Hermes is at best an anti-hero with the historic crimes division after him probably. There are those who leapt from Olympus rather than him turn them to ever staring stone.
Hermes – Cairn-man – Pillar of Stone – Toddler
This man is not a god he is a pillar. An offspring of gods yet was born as an embodiment of an orgiastic pillar. Dance near him if you dare. Hermes is Priapus the totemistic virtue of a phallic pillar or cairn no less.
His mother was Maia and if there was such a thing as fatherhood back then we would be saying his father was Zeus. Maia met Zeus because she was the daughter of Apollo then afterwards being with child she had a score to settle with her father for mistreatments. Gods being gods they grow fast, and Hermes grew fast, very fast, especially in intellect. By seven months he had mastered the bow and invented many things, then Themis gave him nectar and ambrosia of the gods or should that be Nectar of the Gods and Ambrosia of the Gods; and he was ready to adventure. Ready for that vengeance from beyond the womb.
He was followed by a gathering band of nymphs they made a wicked wilful travelling party. He was befriended by Cyllene. They played and sang and laughed. Cyllene showed off her enchanting musical ability and Hermes claimed he could make something far more mystical than that. Cyllene bid him to show it was true, Hermes said he would need some cattle hide to make the strings. Then when Cyllene told him of Apollo’s herd he knew he could get his revenge and build his instrument, he knew so much more too. Well well before we discover how great he is, he knew.
Yes this merry band agreed that little Hermes and they could smuggle the herd, but Apollo would simply follow and they would be found.
Hermes bid them cut large patches of bark from the Fallen Oak and to cut long grass to bind into cord. From these he showed them how to fashion shoes for the cattle and away they were led along a trackless path.
The cattle were gone.
Apollo was livid.
Apollo he searched but there were no tracks.
Then, by chance in his raging stampede around the land he found the Satyrs, led by the rogue Silenus they were greedy for reward, great reward, for Apollo was angry, very great reward.
Eventually, in Arcadia, the Satyr gang heard something unusual, unique in fact; strange music like no melody ever heard before yet dulled and distant. It seemed to be coming from far away and yet from everywhere. It seemed to be coming from below the earth and yet, – no it was, it was down below, it was. Eager as they were they could not help but dance. Dance, as they hunched and sniffed and searched
Then suddenly they noticed a little way ahead by a gateway in a leafy copse the sultry, haughty, Cyllene idly taking the air. The music led them towards her.
It was louder behind her and there at the back of the glade was a cave; the music was coming from there. “What is that music of the nymphs we have never heard before?”
Cyllene swung gently round towards them, “No nymph plays that marvellous tune upon that unique instrument.”
“No one can play better than the nymphs, no one has a better instrument than they.” The satyrs gaggled together in panic behind him, staring in quizzical fear.
“Who is Hermes?”
“Hermes is a babe.”
The Satyrs stood mesmerised as Cyllene gracefully articulated the story of the babe who was born within this cave. He who had adventured across the lands at so young an age, who had acted with great skill and created a marvellous lyre like nothing ever heard before. Silenus enquired what this lyre was like and Cyllene told him how it was shaped like a tortoise because he had fashioned it out of a tortoise and cow hide twine. “So where did he get this twine?” “Are you calling him a thief!” Just as a fierce argument sprung up a few things happened at once. A great long-winged bird landed in the glade; this was the Sacred Crane sacred to Hermes and because of Hermes. Silenus glanced his eyes around the glade and there were two cow hides stretched between branches to dry. The grandfather of the babe of course had known that the crane was sacred, sacred to Hermes, and had followed it; Apollo suddenly appeared.
Silenus pointed at the hides, thus establishing himself a right to the reward, then to seal the deal he pointed at the cave.
Apollo strode in and down with a procession following. There lay Maia sleeping deeply a bundle in her arms. “Bring me that quickly grown man Hermes now,” shouted the mighty Apollo, “For he has stolen my cattle and shall be made to bring them back to me, at least all that live.”
Maia threw back the covers and revealed a babe still in its swaddling bands and wrapped in a large leather hide. “How could it be that a babe such as this has done this thing you say?”
“I recognise the hide!” boomed Apollo and he snatch up the child and fled the cave.
“Father of Heaven,” (and father of the babe unfortunately), cried Apollo as he bent to his knee in front of Zeus, “I accuse this babe”, (the bundle unrolled from his arms as did the other two hides from the glade), “of theft of all my herd.”
“Zeus looked down to Hermes, “I cannot believe that you did such a thing and I ask you to plead not guilty.”
“Well I did,” confessed Hermes standing proudly for all his small size, “and I am sorry. I shall return all that live and tell you of the flesh of the others”
Apollo stood looking dazed, enraged and confused.
I divided the flesh of each dead beast in to twelve pieces each as sacrifices to the twelve gods.”
“Twelve?” questioned Apollo, “Who it the twelfth?”
Bowing with a smirk the tiny Hermes said, “Why it is I”.
How Zeus laughed.
Hermes continued, “A twelfth of the flesh of each of the beasts I ate for I was ferocious hungry the rest I burned. Thus I have invented the first ever flesh- sacrifice. Now I shall give you recompense, follow me.”
He led Apollo in a flash back to the cave and he retrieved a bundle from beneath a sheepskin. “What have you there?” asked Apollo.
Hermes held up the tortoise-shell lyre in display and in the other hand held a plectrum, “This I also invented.”
The music was mesmerising, the singing was praise worthy; it was full of praise also. Praise of Apollo, his nobility, his dignity his grace, his intelligence and, of course, his generosity. It worked, Apollo forgave him and nevertheless little Hermes led him to Pylus, playing all the way, to the cave he had hidden the cattle. He released them to graze and offered the Lyre to Apollo, he took it and thankful he said as I keep this so you keep the cattle. Hermes held up his tiny tiny hand and Apollo solemnly shook.
From the distance they heard the mountain top laughter of Zeus as he watched all Hermes’ antics.
As the cattle grazed Hermes gathered long grasses and wove them into a pipe. He played and he declared, “This is the shepherd pipe that leads any sheep to you.”
“If you will let me have this pipe I will trade you my golden cattle-herding staff; it also has the power to send the spirits of the dead peacefully to heaven.”
“I accept, in part, for the reedpipe is worth far more than the golden staff and I will accept the deal if you also promise to teach me the power of augury.”
The distant laugh of the onlooking Zeus could be heard again from afar.
“I cannot but my three nurses the Thriae can. They will teach you on the isle of Parnassus to read the flowing pebbles in the swirling bowl.”
“This is indeed a very ingenious, eloquent and persuasive Godling.” Chortled Zeus.
Upon their return Zeus bellowed at tiny Hermes, “You must promise forever from now respect the rights of another’s property and never tell utter lies.”
“Then make me your herald great father, and I will never tell lies, although I shall not promise to always tell the whole of the truth in every detail. Furthermore I shall protect and preserve all divine property in your honour.”
(Apollo was chortling now.)
“You shall be my herald then, and you shall in that duty guide the dead to the underworld, oversee all matters of business, all treaties and all rights of way.
Even furthermore you shall teach us the twirling of sticks to make fire you shall assist the Three Fates (this he did and invented the knuckle bones, the alphabet, astronomy, boxing, the musical scale, gymnastics and weights and measures. He also learned the tree alphabet.)
Thus it was Zeus who chuckled quietly now for he had honoured and empowered him in such a way that he would forever be too busy.
So it was that the now growing Hermes was presented with the adornments of Herald and proudly stood in the round hat of rain protection, the fast flying golden sandals and the beribboned herald’s staff which commanded respect from all when Hermes was engaged in matters of administration, (of which there were many).
Thank you Robert Graves
Ales and Tales around York pubs.
and more as the Skald to the Chieftain inspired by Georg and Gudvangen.
Visiting Viking Attractions: An Idea Swap – one of my most successful blogs, here revisited, which celebrates the uniqueness of such as Norske Høstfest ND, UWGB Viking Festival and of course, my other home, Njardarheimr Viking Town, Gudvangen, Norway – lots of ideas…
(Book mark it or save the URL now for you will want to come back and back.)
So, here I am back in Blighty. Bit of a rest-stop before it all starts again.
This isn’t a travelogue,
I have a feel for something a little more intellectual; an idea swap. There are ‘transferable models’ out there and we are the experiencees.
I have called this the ‘first draft’ because I just know you all have ideas to share.
When I say all, I mean Viking related peeps; if you are coming from other directions or none Viking ‘attractions’ OK well we would like to chat with you too you poor little things.
Think of this as a Birth-Product for we know there are ticket buyers out there and we want them in – and besides, gosh, we are engulphed by our own enthusiasm.
You hobbyists you.
Er, sorry, Vikings. x
While I was at Njardarheimr my good friend Christof took me to the
It was a wonderful experience.
Gaius Cornelius Tacitus wrote of the concept of farms as a commune, Karl the guide in Njardarheimr says so, and so does my friend Susan who lives on er, well a farm.
An expanded community almost in the same way as villages in Britain etc.
The farmhouse gets longer as we add people on. The square of the building becomes, er, squarer. The farm.
A Viking-age cultural development still relevant today.
Voss Folkemuseum came from such a community development.
We had a lovely time there. It wasn’t ‘populated’ like Gudvangen is, but on the other hand it felt good to be free to roam. We shared the experience and did so in our own time and in our own space.
Not all of the things we spotted and liked on the farm would have been used in the Viking age, yet share them I shall. You may know otherwise, or ideas may come from them.
One such thing which I loved was the work-stool; a stool yes, but with an extra bit to slot tools in, be it crafting or carving.
Another item of furniture I loved to see, but they were probably 18th or even 19th century, were the giant cradles or cribs which were for adults; sort of like box beds and wonderfully decorated.
They were free standing but reminded me of the fitted double-bed bunk (with the cute foot-hole ladders) you find in your typical ‘Viking Hus’.
Skipping over to the Njardarheimr town for a tick, I am reminded of the words of a visitor, (from Hungary). He was very moved by the sight of the bedroom in the chieftain’s hall as he recalled that he had slept in one just like it as a child. Except that he said it was higher because the potatoes were stored under it.
Back to the farm:
Containers:- In Viking areas we tend to have buckets and bowls aplenty but I was struck by the widespread selections of larger containers. Huge amounts of water would be required on a daily basis. There’s a lot of sauerkraut. Liquids would need storage. Drinks would be fermented.
Ale or wine, mead, all would need barrels, big bowls, large kettles, massive buckets, (massive).
In medieval times they fermented lighter ales as a way of purifying water.
All that water would need transportation too.
We enjoyed going upstairs, exploring different levels, down into the dark. Such activities may be less practical in Viking age constructions although, surely, they had barns and other farm buildings.
I will talk further on this in the Viking section as this idea of exploration can be developed for children’s activities.
The big one for us was saddles, they had almost too many! I believe they were circa 1750 and onwards but they reminded us of Norwegian saddles of an older period. Viking-age saddles and tack would be a great addition for Njardarheimr.
Another feature I noticed was the rounded edge planks which retain some of the shape of the tree trunk; walls made of such were very atmospheric.
They had chickens. We got chickens. Although I note ours are more free range. That I guess is to do with the fact our place is populated (and cockerels wake people up). More on the widespread songs of the cockerels when you get to the Njardarheimr section below.
We loved the photos; grainy old atmospheric images full of folks of such character. These often are sent in, copies offered, bequeathed. They are of the age of course, plus they didn’t have cameras in the Viking period that I know of. Vikingesque areas could have displays. All the attractions we are looking at have distinctive areas which are more modern; cafes, galleries, ‘meerkats’, lots of methods.
There could be scrolling big screens in cafes and dining areas.
People like to send in photos and footage.
They like to do art too. People, artists, kids. Send us that stuff.
Why not even an international arts display.
More scope on this below.
This is an area which not only would benefit from a touch of research to see what there is out there; it also could be a good cooperative venture with ‘sister’ places.
Talking of display areas; the farm had a separate children’s area, well, it was one of the actual buildings and it was set aside for activities (not actually moved aside of course).
One thing that struck me as being a great idea in there were the benches and tables. They were lower. How empowering. You go in, there are things on the tables, the kids sit down. No having to be lifted up or being supervised climbing on. They sit straight down. They weren’t so terribly low that it was too uncomfortable for the adults but were low enough for most children.
On the tables were a couple of sets of cut outs. One set was historic figures to dress up. I was reminded of the dollies I used to cut out for my sister from her Bunty comic. And the others were buildings to cut out, colour and glue.
Great for those underused Vikingesque areas.
The Jorvik Centre in York has a great selection of activity sheets; colouring in, quizzes, games, which also might be useful as a transferable model.
Some of the photos of the farm depict children in period costumes. So there must be dressing up opportunities and presumably re-enactment days too.
The management for the farm museum expressed interest in working more closely with Njardarheimr.
This could only be a good thing. Co-promoting comes to mind, perhaps forming sister sites. Certainly visits and sharing ideas and issues would be useful and could also be used as reason for media coverage.
Norsk Høstfest, in North Dakota was an amazing experience. It is a gigantic festival with 1100-plus stalls / display areas and many stages. The whole thing has a Scandinavian theme, and I am going to concentrate on the one area – The Viking Encampment of course.
There are three areas within one; to the right as you enter from along the covered walkway there is the stage, café and activities, to the left of this is the village, (again all indoors), this area has around a hundred stalls and tents all providing activities, sales or displays, there is an outside area too.
(Tim has kindly corrected me here, as my perception doesn’t reflect the accuracy of the way it is all organised – “The building we use is two different areas, the Viking Village and the other is the Tromsø Cultural Village, where the stage is, but we share the performers and presenters on that stage,” thanks Tim.)
I understand there were fight re-enactments outside but I didn’t see any of that myself, I did see tug of war.
There were two forges demonstrating bead making which was captivating to watch,
and a food area. I was fascinated by the different foods being made although I didn’t get to try any. The blacksmith display area showing different stages of the process of working with metal was intriguing and the blacksmith kindly let me share images with you all.
(Tim has kindly reminded me that the blacksmith with the ore display is Daniel Kretchmar (Danr) and the other Minnesotan blacksmith is Doug Swenson.)
People visiting were certainly interested, the crafters indoors were all kept busy demonstrating and interacting.
The friendly Norwegian Forest Cat was very popular.
I had a small area in this section for storytelling to small groups when I was not on the big stage and True Thomas had an area in the children’s activity space, (“He paints images directly into the mind.”).
The stage itself had a big screen and had a constant flow of acts and films. I was delighted to see the film on the Stamford Bridge tapestry which I had recommended. There were moving presentations on the Sami culture and concerts by Sami singer Stina.
There were samples of foods to try, I would have liked to have seen a more café-bar style with a menu widely available so visitors could drink, dine and watch shows.
I loved the alternative pallet seating.
Felt making was very popular, as were all the activities in the children’s space, (might it be better to say ‘family space’? I enjoyed being a kid again).
Troll Island was a highlight for me, and a very transferable concept. I love models and this was a model of an island, intended as a display base, but I enjoyed it in its own right. Perhaps if Gudvangen were to take up such an idea we could have a model of a fjord settlement.
I found all the trolls delightful and so did everyone. If this was to be utilised in our settlement in Norway there would need to be some adaption. IE eyes made of natural materials or beads. Imagine what could be done with beads. Another way to adapt this would be to have kids create buildings, fences, structures; clay, sticks, natural materials. Possibly populate this village with little clay people and animals.
Folklore and troll would be great to talk about at such an attraction and would influence the model making.
Imagine the films and photo shoots that could come of this.
That’s my kingpin idea that is.
It is worth noting that the Vikings got very well looked after, drinks constantly available and hot food turning up a couple of times a day; this was none Viking and in an area not open to the public. It was quite nice to sit and mix away from the hubbub; lots of networking going on.
I got biscuits and gravy with creamed potatoes and beans. There at times was such as pizzas, fried chicken, hotdogs, lots of salads.
They had set aside time to be available, to check on how we were all doing. Yes we were very well looked after, lifts to and from, including to go shopping.
The main reason they were free to support participants was because all the work was done. What I am saying here is that they were very well organised and had been working ahead for a long time. I got a distinct impression they were very good at learning from the past, “Ah yes that situation….”
This all gave time to laugh.
UW-Green Bay Viking House
I was excited to get to see the grindbyggning, (built and then later donated by Elspeth and Owen Christianson) and there it was in the grounds of a very large beautifully rambling university.
It is a phenomenon. It is a marvellous piece of work. It is more than this. It is a concept. It is a hope. It is a symbol. It is a way of being.
It is real atmospheric inside.
I am quite staggered by it. Yes it is wonderful, but it means so, so, much more than itself to everyone involved.
When I say involved, gosh, I don’t just mean the local Uni community, I don’t just mean the local community who want to make mead, I don’t just mean the myriad of groups and funders, I don’t just mean us crafters, I don’t mean historians, I don’t just mean the head of history, I don’t just mean the original gifters, nor the whole host of internet observers, I mean…
Oh, I don’t know what I mean, because the future hasn’t happened yet. I do know you will all be in it, and I do know there is a future, I know in the depth of my heart that it will be even more wonderful than it is now, even more magical, even more participatory, even more… (OK you get the idea). I do know I want to be there.
Want me to tell you an individual story of involvement to get you all wound up? There’s loads of those.
Mariah the Jarldriss in Waiting. She does so much. She does so much with her car. She does so much with her cauldron.
Do you know, I think I might want to suggest that everyone steps back at this point because she is bubbling.
Who knows what is coming next. I am not even sure that Mariah knows. It is all going to happen, and you are all going to be drawn in.
Historic joinery is not what it is about. Mariah is. No calm down Adrian, people are. All the people. The enthusiasm. The village in the mind.
It is happening.
Skaldic skills are growing fast too. As well as doing shows in the house, er, hus, we had a ‘Share’. A story circle. Adrian’s Alþingi.
We created our death poem for Bragi to recite when we head to Valhalla (or the Viking-age afterlife of your choice).
Then everyone told tales, all sorts of topics were covered and different periods in history. It was fascinating.
One of our friends, who came to everything we did and is now a regular participant, made notes throughout each telling. She had gone away armed with ideas. I am sure what is coming out of her at ongoing gatherings is totally different from the source (me) as all our minds work in inimitable ways, and she is a wonderful, unique individual. I was thrilled to hear Professor Sherman describe her recently as Erica the Viking House Skald.
There are people who should be thanked for this amazing experience, (See I still can’t quite bring myself to say it is a building, because it has grown beyond). Elspeth and Owen Christianson, two people who have a farm and they had a building and it came here, simple yes – wonderful too. There was a lot more to it than that. Their marvellous creative genius and generosity propelled a sense of Vikingness into thousands to come.
There is a wonderful guy to thank, he generously funded the process, making the establishment here possible.
There is a university to consider.
There is Professor H Sherman. She is what did it, made it what it is; it happened.
These are no sticks in mud. There is Heidi.
If you happen to walk by Green Bay in your travels of the world make sure you go by Heidi. Go explore the very concept of Viking heritage. There is a concept of Vikingness and it is called Heidi Sherman. No sorry I got a bit carried away and ended up that I have got it a little muddled.
There is a historic building. There is a complex of structures (three to date), there is a community. There is an invitation. (It is Heidi who makes it all happen.)
Wander by and discover.
Go meet the Jarldriss (Apparently students named her – Jarldriss Flaxblood Soul-breaker, but at least we can be thankful we are not students)
When I talk later about the way ‘Chieftainness’ has developed in Gudvangen; the way respect has played such a great part. When I talk of such, I will be talking of here.
Georg once received a letter through the post addressed to The Viking, Norway, he got it.
When I talk of such I am also talking of here – UW Green Bay.
For there is the same concept of love, respect and power developing for a pure and good soul here as there was twenty three years ago when my chieftain stepped onto the ground which got to became the Viking Valley of Norway.
A community of love and giving developed around my Chieftain. He became such a chieftain because of them.
And so will Heidi.
There is a Viking community growing, building by building, concept by concept, artefact by artefact, in the grasp of her delicate fingers.
I can see it.
Go now while it grows.
Go again once it has grown.
When we shape from wood we become.
Go see the amazing building and area now for there is far more to come.
For we are Vikings.
And that is not just wattle.
There were amazing responses to my activities and I thoroughly enjoyed myself, plus the company was smashing, I think perhaps the most valuable aspect was utilisation. My skills were studied, my background researched, my energy levels considered and then I was utilised. Often places have an idea of what they want and they get you in to do it. They will probably have seen my work and think, ‘We want that’.
Here though more diverse aspects of my persona were delicately cherry-picked. I ended up doing all sorts of things.
It was a brilliant experience to do the National Railroad Museum; and it was a sell-out – over capacity. I actually performed stories of my late father’s on what would have been his birthday. I was thrilled that my niece and her husband were able to come over from Rockford to be there as an enjoyable sort of remembrance.
Out there in the world of blogs and internetting Heidi saw that I was the son of a steam engine driver (who had written his memoires), and that I was also the son of York’s first ghost walker (my mum). So she teamed these aspects up to have me create a show. It was so fulfilling.
I mention blogs; they can perform an extra service. I wrote a twelve-blog series on how to be a storyteller (link below). This was there beforehand for anyone to see, it was there for preplanning and it is there as a development area for the future.
Footage of my performances is to be shared. The ones from the jobs for Heidi have had great responses and the films of my show on trains and ghosts is to become part of a web feature on the high-profile Railroad Museum site. There is also talk that this will lead to requests for shows at other railroad museums and attraction across America.
Think of the publicity such coverage brings in for the relevant attractions. Anything of this nature is worth considering for your attraction, word spreads and any diverse opportunities are, well, new opportunities which give the media the newness and fresh angles they thirst for.
We need to ask – What skills and experiences do our workforce or potential workforce have to offer?
I am reminded of the theatre group I work for – We Are Theatre, they too can see beyond what you are, bringing you opportunities to reach a greater potential. Something challenging and new to you that as you start doing it you realise it is a just right thing for you.
This is one of those transferable models I keep banging on about.
There were of course the classes. There were classes mixed together. There were suggestions of themes. There were adaptions. There were interactive activities. Half a group listened to a story and then the other half came back in and listened to me; they then had to tell each other the tales they had heard.
While each group was out they had to jot down aspects of the Volsung Saga which went in a hat and then I improvised a story around a character.
We had discussions and skills and techniques which could be utilised after I had gone.
We will adapt further in the future.
I also did a show in the library theatre, thus bringing in different parties and individuals. This allowed me to cover different themes.
Something we would like to expand for future visits is interaction with Native American parties. The comparative work between different cultures and different perceptions was enriching and enlightening. There is loads of space for a similar interaction between Vikings and Sami people.
Another thing which will come from this is a coach trip to Finlandia (I didn’t know that was a place, I thought it was a vodka you see in duty free.) The very first Finnish Viking festival in the US. I am thrilled to be joining a coach to go and perform there.
A lot of the people who visit Gudvangen are exploring roots, and connections, or links to past life experiences, and many other inspirations. Here so too. In Green Bay though there seems to be more of a feel of organised groups, societies. For example, the fascinating group the Sons of Norway, (more women than men I noticed).
Other attractions could foster this sort of visit. Events put on especially for certain societies. Research needed.
I am very grateful to good friend Rob Wildwood of jelldragon.com for introducing me to Tim of Norsk Høstfest in North Dakota and Heidi of UW-Green Bay Viking House it has all lead to so much, especially great relationships.
Njardarheimr Viking Town, Gudvangen, Norway
This is our Chieftain’s dream, alright so it has been massively supported from the outset years and years ago, and it is a marvellous cooperation of local businesses and investors. This place isn’t funded by Government, Unesco, the council, charities. This is the Chieftain’s dream made real by the spirit of those who bought into the idea with their hearts.
What is it. There has been a market (or festival if you like) for at least fifteen years, there have been events, there have been visitors. Now. It is a Viking town. In an amazingly short time a town has been built. A small few people have found the way to make this happen. It was a massive battle to get permission and atone opposition, but it has happened.
If you go visit (and politely ignore the hidden half-built entrance way part) you will think you are seeing a full town. No there is as much again to come.
It will double.
Winter and summer our chieftain has watched every step, (and the hotelier has watched every digger and crane – he won’t thank me for that).
Why is Georg Chieftain? Well, a long time ago he decided that if he was going to be making this thing happen then he had better declare himself Chieftain.
Why is he still Chieftain?
He is not Chieftain because he is strong.
He is not Chieftain because he is tough.
He is Chieftain because he is loved.
That love is strong.
He will tell you himself that it is all about love. He feels it strong yes.
There is another factor. Thousands of people love him.
So it works.
It is wholeheartedly, overwhelmingly, undeniable.
The aspects of Chieftainness which I have alluded to in earlier sections. Those of you who do so very marvellous at running festivals and attractions do not always realise, or admit to your selves, that it is love which is the lynch pin.
You care and people care about you.
This is lesson to be learned Numero Uno.
This brings us to; please have this sword syndrome. “I have made this sword, please will you have it” Georg’s home is filled with gifts and collections. An accumulation of respect and service.
Carpets, ceremonial bowls, gods and horses.
I mainly mention this because I foresee how this can develop elsewhere.
Let us see some of the items to help us see how that other hall across the pond might become adorned.
One thing I have found to have far reaching effects is our incense burner. Coming from Poland for a pre-visit to bring Georg the gift of this beautiful piece of brass work, the lovely couple brought him the very first one from the mould. Modelled on one found in a boat burial in Norway it will have been used by Asatru (or Pagan) Vikings and then later in Christian ceremonies, it had originally come from a middle east area so will have then been Islamic. So this ceremonial device has been used by three main belief systems.
When it was the big market I went around to each tent or stall and explained that my Chieftain had instructed me to utilise the pine, charcoal and myrrh fumes to bless each area. As I swung the burner upon its chains everyone was visably moved and emotionally effected by the experience.
We parade. Each morning we parade with drums, chants and horns around the tents and buildings to the stage for the opening speeches. Incense wafted along as the burner was carried by Christian, Asatru and Islamic people in turns.
I have even told this story via video link to an Islamic leader upon the request of his cousin.
People are finding their roots here in all sorts of ways, here at the home provided for us by Njord; the fjord is dedicated to him and this is thought of as his land. He oversees us from the seashore and every year his statue is blessed with mead and recited to.
This is the longest, the deepest, and in one place, the narrowest fjord and a tall runic stone is planned to dedicate these facts. We plan to proclaim.
Njardarheimr is populated. People actually live in the houses (and some other onsite accommodation btw). This is a living village.
I am telling you about all this to help each other get fresh ideas so all attractions can develop. I am not telling you all of this because I am any sort of expert, and certainly not as any type of official spokesperson. Indeed I ask now that you all react. Send me ideas, further info, news and developments. Let us all help each other.
When it is the market it fills up even more with several hundred Vikings in tents.
You can come.
There are those of us who are employed here. Working in reception or retail, delivering historic walks and in the case of Georg and myself, presenting the great hall and telling stories.
There are also people living here for periods of times for various reasons. These are the Freemen. Robin for example comes over from Californian for a week or two at a time, lives as a Viking, crafts as a Viking and generally chats to people.
Ravn runs Ravnstova (link below) as a more of a professional service; outfit commissions, textile sales – as well as demonstrating dying and candle making. Conner and Audhild create jewellery and other metal-works on site and have a stall to enable them to ‘thrive, survive and live Viking life live’. Jenne weaves and supplies food. Karin comes with her kids to live and share.
There is also the Viking group with many members Njardarlag, they come and live and work and entertain – and all as volunteers.
Get that concept into your head.
(Well, in a gender-neutral way)
As well as many wonderful activities and offerings Karin and her two also bring the cats. A wonderful addition to our extended family. (More on animals later.)
Another category of visitors of course is the tourists – the mainstay, the raison d’être.
They are what brings in the money. When I say the place is all about the people, it also includes the tourists – you get some amazing people. Folks can be massively affected by visiting us.
When a Mexican teenager sits back down and says, “You are the best thing about my whole summer in Norway,” you know you are doing something right.
“We are going back to Minnesota and going to have a long hard think about how we can make our lives as fulfilling as yours.”
Another wing is what we call VIPs – this mainly just means that they have arranged for a private dining. There are other aspects to it, they might want to come after 6 when there is just them. They might even want Einar of Wardruna, or stories from me, or Krouka playing. They might want a big party. Torill is willing to be open minded, enthusiastic and adaptable.
There is another type of visitor lined up. Residential parties. Part of the new building program (it might be all done for all I know) is what is being referred to as Warrior Halls. Two great big halls where groups can come and stay. These could be organisations, reenactors or school parties – as long as they will live like Vikings, (during opening hours at least). There can be whole programs of activities for them.
Oh I am so excited about them because there are whole groups out there which deserve our contact and there are whole groups out there who wish for us to go and reach out to them.
Community is a timeless prospect.
While I am on new structures, I hear there is also going to be a stone round-house with a central fire-pit, I think it is being referred to as ‘the men’s place’, referred to, in a historic way. Is it possible that only men will use it? – Oh yeah like totally.
There will be developments in the arena of ceremonies, in the field of drama and the terrain of performance. I’ve seen plans for a more permanent stage facing the open playing area (see pics of the amazing Einar and uplifting Krauka) and many concerts will happen there, as well as in the huge Heidrun hall. I plan to do interactive dramas from that stage, where the audience act out according to my story points.
(We also do stories in many languages and this is linked to below.)
There is going to be a temple.
That was a statement which deserved its own line if ever there was one.
Now I know I have already stated that I am not in charge of anything. I have no power or valid opinion, beyond the fact that I signed myself up for a blog, but I will speak now: There is going to be a temple and everyone will be tolerant of each other.
There is going to be a temple and everyone will be tolerant of each other.
It will be a place of celebration, so I understand. We often have weddings, blessings, naming days, funerals; moments of life. Well bless Gudvangen, it is going to continue happening.
It is going from a holy hill with a couple or three statues, and me announcing spiritual Galda; i.e. from the runic inspiration of Lars Magnar, to having a temple for him to call you into.
There will be drama, there will be inspiration, there will be re-enactment, there will be the deeply moved, the past life, the happy to act, the incense swinger, there will be wonders to behold.
The entrance way complex will be completed real soon; with a café/bar, shop, display area and reception.
There will be other new buildings.
One day, one day, we will have a harbour.
I did say this blog is all about opinion from a verbose storyteller who has no power but just you stop and listen to what I say now.
One day, one day, we will have a harbour.
The Skald he has spake.
Or was that spaken?
People travel from one market to one market to another; this itinerant lifestyle goes on in Scandinavia from spring to autumn (fall) with crafting-up going on in the winter, (I think it is addictive), I have a vision about this, (in my optimistic way); this will happen in America.
Gosh for a powerless upstart I do keep wanting to proclaim about how I have spoken and therefore it will be. I guess that is the theme of this blog if you boil it down to ego. No, if you boil it down to Utopianism.
I have spoken.
Here I go again, carrying on…
Some of the stuff that works so so well at Gudvangen…
This is a blog about a writer / storyteller / personality (me) – who is funny: it is not a photo blog, there is text and it isn’t to supplement the art or photos, there are photos etc, they are not there to accompany the text, it is almost like they are separated ingredients ready to fry – but here for a first, and for a very, very, important reason, I am referring to a photo:- Write your name in runes.
A quiet stroke of genius. Write your own name in runes.
‘Now look I want to take credit for this because I bought the charcoal sticks.’ ‘No I brought the plank of wood – and the string.’ ‘I got the huge gift from the tannery we used some of for people to write on (with my charcoal sticks actually BTW).’
‘Now look will you two stop bickering in the Chieftain’s hut, it is like hearing some old couple.’
Oh alright – I admit – Georg was right.
It was a stroke of genius quietly put together and agelessly displayed, subtly offered.
Not only can you take part on the spot.
Not only is it done in a none modern way.
You can take a photo and take it away with you.
Think of it as a travel activity.
People love it when I suggest that.
Yes, Georg, it is a really great idea.
You can play Hnefetaflr.
The Viking Game.
You can listen to me or Georg telling you how it is played.
Many just love to hear about it.
“I am duty bound to inform you that there are sets for sale in the shop as you leave,“ usually makes them laugh.
Some want to play.
Georg is very good at being the opponent to singles.
Some will sit down opposite each other and play and play and play.
It is a very good job that we allow people to stay overnight!
Just discussing and looking at the runes is a great thing, people are fascinated.
There is so much to say.
I am so glad we just have the time to talk – and to listen.
We also offer a game, or just talk about it, that I only know from the medieval attraction in York; Barley Hall (You must go there – link below) so my name for it is of the wrong age, but, Nine Men’s Morris.
Folks like that.
There is a piece of leather on a table. ‘I got the leather and the charcoal to mark it up.’ ‘They are my precious playing pieces.’ – ‘Alright you two shush now.’
OK it draws attention – it is tic tac toe – it is noughts and crosses. It isn’t, it is earlier. You get three pieces each. The chances are you won’t get a line in three placements. Then you start moving the pieces one space at a time. It is really cookie.
We have the Lewis chess set (I am just randomly talking at this point so don’t think I am any sort of expert or even anything), I understand this is thought of as post Viking-age, but isn’t Lewis in Scotland, didn’t they have Viking kings till 1250ish. Way later.
The Vikings knew chess OK.
And anyway, it is probably from India or China, or wherever it was Snorri says Odin and the rest of the Aesir arrived from (cough).
Anyhow – chess is very popular. You pop out, you come back, there are two people playing chess. You start stories. They never notice you.
They go on for absolute hours.
Tacitus the aforementioned diarist spoke of runes from when he visited Germanic tribes. The Father of the farm chopped a branch and marked it with his own signs for the gods, (so we are sounding kind of pre-rune here), then he divined. So I have a bag of my own signs for the gods and I draw you one out.
I also offer rune readings, (Elder Futhark), and where people are happy for me to, I add in the crystal ball – scrying was of the period. The Jorvik Viking Centre have employed me to do readings for children, that was very interesting.
The runes could be compared to Ancient Egyptian symbolism; each has a meaning as well as a sound; Water, Birch, Riding etc.
The Jorvik Centre I believe still use the Elder Futhark, as do I, whereas in Njardarheimr the smaller set, the Viking runes are favoured. So one needs to decide. Runes are planned to be used for signage, so I will discuss this in that section.
More of an ornament or artefact than an activity but I just love Georg’s scales; especially crafted for him, and people love to see the engraved weights, they are a real talking point.
My chieftain has the aim, (and passion), that he will make some improvement every day, (perhaps that might be the main lesson of this blog?), and he had the blacksmiths create him an inverted L-shaped hook-stand to bang into his log-shaped table. On sunny days when we choose to bring all the activities outside this really allows the scales to look at their best.
Peter the highly-gifted bone-carver across the path has described us as a Viking-age theme park.
There are weavings hung down the walls, I would love to see them adorned with a couple of embroideries each. Such as the wonderful silks ones made by Nine Worlds Clothing, the best I have ever seen, (link below).
No I cannot talk of how great our coin minting activity is without tipping a ginormous hat to the Jorvik Centre. You have paid to come in, so extra revenue is a bonus, and we want activities don’t we, so you don’t charge a fortune. Having a path to follow helps too as so often you see people roaming, no dashing, straight past things.
Georg’s coin-making equipment is very popular. He even offers silver ones.
I cannot refer to the Jorvik Centre without talking about the flood. So we shall take a brief interlude from discussing the activities at Njardarheimr and visit York. I must tell you of what I heard. Now I am no news hound or anything, but if what I was told is on the button there are staff at the centre who deserve a medal. The reason it took so long to rebuild and reopen is that it wasn’t just floodwater that came up into the place it was something far fouler. The lower section flooded and I was told that a group risked their lives by going back down the stairs into the slightly higher section where the genuine artefacts were. Engineers took off a fire door and actually gaffer-taped it across the open doorway to hold it all back! It could have burst at any moment! The atmosphere must have been quite toxic too. Staff then saved all of the precious items.
I think we should tell the queen.
(BTW If I haven’t got all the details here I would be glad to hear more.)
One or two ideas come to mind from my experiences there. One activity I’ve been employed for is queue busting; from me that is fun characterful chat, others demonstrate their kit, and archaeology students demonstrate finds.
I frequently enjoyed borrowing interesting jewellery from stalls and telling a story related to it. People would often go over and buy jewellery as a result.
All this ideas swap business suggests to me that there could be exhibitions of regional finds on loan from other establishments.
Representatives from Viking attractions I am sure would be welcome in Njardarheimr, not just as ‘Freemen’, also to demonstrate skills and share information.
Back to the chieftain’s Home in Njardarheimr, Gudvangen, Norway and how it came about. It is real with objects in a home not in cabinets, with people in the beds!
It has a kitchen. We are especially grateful to the volunteer joiners who created this area. When you train in your craft in Switzerland or Germany you pledge that once you are qualified you will travel away and work for food and lodging (I think for two years). These wonderful people created many great things including the kitchen and the Hnefetaflr table.
Oh and the skittle castle. That has gone down great. Georg carved wooden figures to stand on it and folks love it.
We plan a larger castle for next year, to go in, and I am hoping to be able to paint it.
Other games include Kubb, Knutlegg and tug of war. I am not going to mention the Loki run.
Oh yes and axe throwing, (not hatchet catching) and archery.
Then there is fighting. There is competitive fighting, (in twos), there are battle enactments and there are choreographed shows. There is also Glima the wrestling of course.
That leads to dressing up. There is an area with mail and helms and weapons where you can don them for a photo. There is also an area with play weapons; wooden swords, shields axes etc.
Georg made me a three-metre spear and I started doing shield wall re-enactments with kids. They would line up against an imaginary enemy with me behind holding the spear between them. That was great fun and made for great photos of us stabbing warriors and horses.
Dressing up could be massively expanded. I would like to see more wooden weapons, a couple of saddles to sit on and lots of clothes for people to borrow. Fun for all ages and lots of memories to be made.
I also wondered about having a photographer. Perhaps a photo wall offering pics as you are leaving (like the ones when you come off a roller coaster).
Having a blacksmith’s shop on site is a marvellous thing. A great team of smiths too. We can all work and develop together.
All the kitchen fittings were created here. Hooks, nails, hanging oil lamps and bowl candle holders are all transferable ideas. Nails, it’s all about nails.
There is a great display of wares hung in the blacksmiths; fish hooks, knives, dozens of objects – nails! I love nails.
The annual market brings in hundreds of Vikings and of course many more visitors. Huge arrays of skills and crafts and goods come to us.
A whole series of events are programmed, worthy of far more attention and publicity. Entertainments, demonstrations, dramas. We also have always had a series of courses available. These can be a way to make it more financially viable for visiting experts and add massive value to the visit; needle-binding, storytelling, fight skills, many skills are on offer.
Story circles come fondly to mind, something we could bring back in the stone roundhouse perhaps. These tend to draw in teenagers and young adults too.
A new development for me at the 2018 festival was improvised storytelling, or perhaps more like poetry. Great musicians and percussionist joined me while I pulled one of my signs of the gods out of a bag and then we made up a piece with music and word and song. Wonderful experience.
This year I noticed that lectures were added to the repertoire. Women’s lives, Women at war, Viking-age music, and the Viking year were on offer.
As promotion improves and these activities are planned well ahead the amount of people who come especially for a certain course, show or lecture will greatly increase.
The historic walks are a brilliant feature, they are actually referred to as guided walks but I appreciate the history side the most; you come away from these historic walks with a greater understanding of the concept of Vikings.
I do wonder if these will change in the future, as the place becomes busier, (it is going to get packed out), that there will be members of the village stationed here and there strategically around all the different features and sites with visitors going from one to another. That is just a thought I am throwing in the pot and would develop on from what is already offered.
Visitors are international so guided walks aim to be so too; currently there are tours in Norwegian, English, Spanish, French, German, Latvian and Russian available most days throughout the busy season and I believe this will increase. I guess the majority of people who visit are able to speak and understand English so it tends to be more common.
Should there be Meercats? – Meercat is the nickname for freestanding information boards. I like the idea and think people will appreciate them and not think of them being out of place and out of time because they are expected and useful. I know Georg prefers the idea of only signs in runes to be more in keeping with the timelessness of living Viking style in the nowadays.
That thinking has led to the ideas of a treasure hunt, spotting runic inscriptions, plus a printed guide which tells you which runes to find for which feature.
The place has become more popular due to people developing an understanding of the place and getting the idea of how long they could visit for. As tour operators start to offer longer schedules and as publicity gets out to the people who may plan to come more and more effectively, people are able to stay for longer.
It is a genuine experience coming to Njardarheimr. It changes people. One thing you hear sometimes is, “Is that a real fire?” Many people have never seen one before and now suddenly they are being invited to sit by one. They can make bread to eat. They can mix with Vikings.
People take photos. People can be encouraged to share their photos and footage with the online presence. This is an area which could be greatly increased.
More could be done with art work, exhibitions, there could be art competitions, poetry competitions. All with galleries displaying them, both on line and in the reception area. Folks could pop in and out of the café/bar and end up watching for hours.
Just some of the ideas which have been bandied about.
The walls of the Heidrun hall could be filled.
This could even be tied in with the problem of guided tours in bad weather. Do you know when you go out for a meal, in a Greek restaurant, or a Thai place, right, and they have like 3D artwork on the walls – this makes me think that there could be relief images of the areas of the town along a wall so talks can be done inside. IE of the god statues., and the weapons
Highlights of activities must be the pottery and weaving via Marcin and Monika. People love their time there learning and they love the things they get to take away with them.
I am just doing some math – hang on – I am, nearly there with a new idea – just before going to hit publish – hang on – I am thinking – 3D displays – experts on pottery and weaving – put them together – what have you got!
I understand there is someone in the Green Bay area who does wattle and daub and I was thinking that might be something to be developed ‘ower ere’. Living sculptures, archways, and fences from something like willow are also exciting.
We’ve talked of large containers for storage, preserving and brewing etc, I also was wondering about the idea of buried food; fish and venison. (Get your muslin and your spade and then discuss.)
We have all already made a start on gardening. A great start. Collecting or buying plants of the period and of the area. So the outside areas are ‘growing’, becoming more real.
A thing that needs looking into is that it has been established that composting was done in the Viking-age and we might want to look into this. Of course this is a modern age and people living in the village will be concerned about the environment so will want to compost for the earth’s sake.
I love the peat walls which flourish with wild growth and greenery as do the rooves.
Ravn and others have demonstrated candle making and Holger has utilised old wax with moss to make candle bowls; wonderfully atmospheric.
Talking of composting leads to the topic of poo. We got chickens we have. In the future there may be more poo available as the range of livestock grows.
It is lovely when chicks are hatched, but a shock when they turn out to be male. I understand that currently there are plans to set up a second hutch in a different area. Residents will definitely be woken early, wherever their hut.
As I’ve said these chickens are free to roam and can be seen all over the town. This I hear, there is also a possibility of a different animal, I heard talk of there being a small friendly breed of Norwegian pig and two or three could roam around.
Cows would always be a no no because basically there would be far too much poo.
Cats we also have and as I mentioned above there is a breed of Norwegian Forest cat which might settle to roaming the town.
I wonder if sheep or goats might be a possibility in the future, or even deer.
We almost got rabbits, but at the last minute someone said that the Vikings only had hares. Personally I think no one would mind if we had rabbits, but would also like to know if hares might be a possibility, IE would they settle to wandering here?
(NB rabbits dont ever dig upwards, they dig down and along, so would proberbly stay.)
We do have horses visiting at times and this is something that would be popular as a more frequent occurrence.
Someone suggested pet polecats or ferrets in a hutch with a run, but that would have to be quite secure.
These are all things that need to develop along with the gradual increase in visitors to be sure of adequate staffing levels.
Any other suggestions?
You may recall how I had enjoyed clambering up and about at the farm museum, it gave me the idea for a feature for kids. Children like up, under, in and over. A Viking style equivalent of a climbing frame or adventure park. A forest. Buildings. A fort.
Talking of dark places, I have always really liked the idea of a sweat lodge. The building of it and the idea. A hole with seated sides and a pit in the bottom. A bender cover of leather over saplings. A nearby fire pit where stones are heated which then can be rolled in using big sticks. Very exciting.
There is much scope for a program of online activities and all events would benefit by lots of advance planning; this would also help fill time on the rolling displays in the entrance or café/bar. Attractions could run features on each other. IE wouldn’t a film on Njardarheimr go down brilliantly at Norsk Høstfest (or film and talk).
An online feature on how to be a Viking would be brilliant.
Examples of stories also, so Vikings can learn, skills too. People pre-armed and able to contribute.
Many thanks to all who have supplied photos, especially my chieftain Georg who very kindly took images of many of the items I wished to talk about.
Gudvangen has a great set on how to fit in as a Viking. (“Everyone is welcome here except those who don’t make others welcome” Georg Hansen.) Policies have been developed on etiquette and authenticity of atmosphere so I am hoping to feature info on these in the future.
Thank you for reading all this way. I hope some of this is an inspiration for you and do enjoy the links below.
All my own mistakes, I mean work.
University Wisconsin; Green Bay Viking House
And UWGB Viking House on Facebook
National Railroad Museum – Green Bay, Wisconsin
Norsk Høstfest Viking Village
Voss Folke Museum
We had a great time at this amazing festival in Bridlington, Yorkshire. If you want to know more about We Are Theatre events go to www.wearetheatre.co.uk
Here is a little film showing my props, a film of the ribbon dance show with Meg Badrick and Rachel Louise Fitt and one of the stalls; Homeopathy, Bridlington.
People’s Prosperity Pledge
There have been difficult divisive times, certainly here in Britain, there has been anger, regretted words and despair. I have felt all of these. There is a feeling for many of, “How can we carry on?” I have found myself a way to put all this behind me and pick myself up and go forward, this is my way of apologising for any words of difference or disapproval. I hereby make a People’s Prosperity Pledge.
Wherever I am engaged I will ask what else I can do. There are disadvantaged people out there, be it through blindness, age, poverty, being ostracised; many things – can we help? The extra mile. Should I do a free extra performance, or a pre-visit, can people be invited or helped; a special session? Where can you share this post to draw groups closer?
I shall be asking these questions while discussing any gig or project, I will be asking these of myself and of those I work with. The People’s Prosperity Pledge.
Make that pledge.